The watercolour paintings of Edith Fanny Kirk

Since the 1970s, there has been a continuous effort to acknowledge women artists in history. As part of this effort, the Galt Museum and Archives in Lethbridge, Alberta has curated an exhibition on artist Edith Fanny Kirk. The exhibition entitled, A Legacy of Adventure & Art: Miss Edith Fanny Kirk, focuses on her sense of adventure and distinguishes her artistic achievements and legacy. The exhibition will include four watercolours from the Library and Archives (LAC) collection, and will be on display from June 6 until October 12, 2015.

Kirk was born in England in 1858 and immigrated to Canada in 1905. She eventually settled in Lethbridge, Alberta, where her artistic influence as an art teacher was fundamental to the community. She also presented papers on art at the Mathesis Club of Lethbridge and has been credited with the development of the Lethbridge Sketch Club in the 1930s (now the Lethbridge Artists Club).

A colour reproduction of a watercolour depicting a landscape dominated by a light smoky sky. There is a river in the foreground with a green shore marking the boundary between sky and water.

Prairie in Weather Made Smoky from Forest Fires, Lethbridge (MIKAN 2948200)

The four watercolour paintings from the LAC collection included in the exhibition demonstrate Kirk’s adherence to the medium of watercolour—as opposed to the more traditional oil paint. Watercolours are ideal for rendering delicate tones and soft colour transitions, and this technique is especially apparent with the hazy atmospheric sky in Prairie in Weather Made Smoky from Forest Fires, Lethbridge where birds fly through a subtle cloud of smoke.

A colour reproduction of a watercolour landscape showing snow-capped mountains and green forested meadows.

Mount Edith Cavell, Jasper Park, Alberta (MIKAN 4626658)

Watercolours would have been a preferred medium for working outdoors as they were readily available, portable and compact. Kirk hiked backcountry trails and national parks to paint as a member of the Alpine Club of Canada, which she joined at age 60! Kirk’s painting of the now iconic Mount Edith Cavell, Jasper Park, Alberta demonstrates the expansiveness of Jasper National Park. We can see how the peaking mountains continue off the page so as to appear as if they infinitely continue, and the depth of the trees is rendered in purples, greens, and blues.

Kirk painted at a time when it was challenging for women to support themselves as artists due to social pressures and economic disparity. A Legacy of Adventure & Art: Miss Edith Fanny Kirk is an opportunity to look closely at her life and artwork, and to enrich our understanding of Canadian art history.

Be sure to visit the Galt Museum and Archives exhibition on Edith Kirk. You can also read more about women artists’ self-portraits in the recent blog post, Self-portraits by women artists in Library and Archives Canada’s collection.

 

For Better or For Worse: Library and Archives Canada’s collection of Lynn Johnston’s iconic comic strips

Lynn Johnston is best known for the creation and illustration of her popular syndicated comic strip, For Better or for Worse, which has run in over 2,000 newspapers in 160 countries. Inspired by Johnston’s experience with her own family life, the comic offers humorous, touching, and thoughtful renderings of the fictional Patterson family—John and Elly, their children Michael, Elizabeth and April, and beloved family dog Farley—as they move through the challenges and enjoyments of life.

This summer, the Art Gallery of Sudbury is curating a travelling retrospective exhibition of Johnston’s work entitled, For Better or for Worse: The Comic Art of Lynn Johnston. It will celebrate the 30-year run of the comic strip by exploring the artist’s life, creative process, and the responses she received from readers over the years. Library and Archives Canada (LAC) will be lending close to 50 of Johnston’s original panel drawings from its collection to be included in the exhibition.

Ranging from Johnston’s early strips in 1979 to later works created in 1995, the selection of drawings from LAC covers a variety of relatable and humorous subjects, a number of which focus on Elly Patterson’s experiences as a housewife.

The Lynn Johnston collection at LAC contains other objects that speak to the popularity of Johnston’s comic strip. Included among these is a collection of dolls that were made in the likeness of April Patterson, the youngest of the Patterson children. LAC also houses memorabilia from the Farley Foundation, an organization dedicated to assisting those in need with the finances associated with taking care of beloved pets. The organization is named after Farley Patterson, the family’s cherished Old English Sheepdog who passes away in the strip.

Finally, the collection holds a large amount of fan mail that was written by Johnston’s readers. Most notable are two sub-series of the collection that concentrate on major events that took place in the comic strip. For example, Johnston’s decision to incorporate an openly gay character in her strip generated a huge number of responses from readers across North America. Similarly, the death of Elly Patterson’s mother resulted in many fans reaching out to Johnston as they mourned for the fictional Pattersons alongside their own personal losses.

Be sure to check out the exhibition at the Art Gallery of Sudbury between July 11 and November 1, 2015 for more details about Johnston’s work and creative process!