Dave Heath: sexuality, death and other demons

By Lisandra Cortina de la Noval

 “The themes that absorb him above all others are eros and God; or the mysteries of women and death.”

Cynthia Ozick

Two headshot photographs of the artist Dave Heath wearing glasses.

Diptych of Dave Heath, 2005, by Michael Schreier (e008299923)

Who is Dave Heath?

The late David Martin Heath was born on June 27, 1931, in Philadelphia, Pennsylvania. Abandoned by both parents by the age of four and rejected by the rest of his family, Heath grew up in a series of Jewish foster homes until he was placed in an orphanage at age 12. Three years later, he began to pursue photography as an escape from loneliness, setting the stage for a long and outstanding career that would leave a mark on modern photography. In 1970, he came to Canada and settled in Toronto.

Mostly self-taught, Heath was a photographer, printmaker, writer, critic, editor and teacher. Best known for his book A Dialogue with Solitude (1965), he experimented with different expressive forms: traditional darkroom work, audiovisual slide presentations, Polaroid technology, digital colour photography and artistic journals. Heath’s journals, spanning 1974 to 2016, are now part of Library and Archives Canada’s collection.

Following in the traditions of Walker Evans and Robert Frank, Heath considered photographic sequence as an art form and put the relations between words and images at the centre of his work. He understood photography as a “wordless poetry” (Dave Heath journals). His art, though deeply personal, is an exploration of the human condition.

A gentle yet haunted soul

Reclusive by nature, Heath lived his life as a continuous struggle. The abandonment in his early years, by his mother in particular, was a curse he was unable to exorcise throughout his adult life. Adopting the name “Dave” was his way of gaining the necessary dimension, presence and character denied to him as a child. This became his name as an artist.

Despite his abandonment issues and his inability to connect with others or to maintain a long-term relationship, his work reveals his love for women. In his journals, he wonders: “Is the repetitive preoccupation with women in my work an avenue to escape the original trauma by investigating the woman, demystifying her mystery so that she becomes reassuring rather than dangerous, thus transforming her into something satisfying in itself, a work of art?” This might explain his fascination with the female body, breasts in particular, not only as sexual objects but also as “loving warmth and heart of a woman—forgiving, comforting, consoling and life-affirming” (self-interview by painter Paul Matthews, September 26, 2006, Dave Heath journals). Sexuality was for him a source of artistic ideas. He created and gathered an amazing collection of pictorial erotica over the years. His last book, Eros and the Wounded Self, brings together a selection of his polaroids of women.

Always the loner, Heath had very few friends, but he loved them dearly. His journals show a gentle soul, a man who unhesitatingly supported his friends and fellow artists, economically and emotionally. “You must persist without guarantee of recognition, fame, fortune or posterity. It is the burden of being a true artist rather than a spurious imitation” (Dave Heath journals).

“Waiting for the end, boys, waiting for the end”

(from “Just A Smack At Auden,” poem by William Empson, Dave Heath journals)

“We live, we die. Only death and oblivion our true destiny.”

Dave Heath

Death is treated extensively in Heath’s work, but not in the traditional “fear of death” way. He confessed that he had thought of death since he was seven years old, or probably even four, when his mother deserted him. His work, based on profound loss, explores the inevitability of death. Everyone is born to die, but what really mattered to him was what we do before then, what we are able to accomplish while living: legacy versus oblivion.

His final years were a race against death, as he worked hard to finish a last body of work, his swan song. Despite some health issues, he managed to complete and publish his last two books: Dave Heath’s Art Show (2007), featuring some of his digital work, and Eros and the Wounded Self (2010).

Heath died on June 27, 2016, his 85th birthday, at his home in Toronto. He lived his life wanting to redeem the stain of rejection through creative work. “It has always been my wish, my thought, my desire, my ambition that my work would be the marker of my life on earth, the truer memorial of my advent” (Dave Heath journals).

If you are in the National Capital Region this summer and want to see his work, visit the Multitude, Solitude: The Photographs of Dave Heath exhibition at the National Gallery of Canada, which continues until September 2, 2019.


Lisandra Cortina de la Noval is a photo archivist in the Social Life and Culture Private Archives Division at Library and Archives Canada.

Images of Bakeries now on Flickr

Who doesn’t love bakeries? The smell of butter and sugar, the sight of all the loaves of bread, and sweet treats lined up behind glass counters are incredibly tempting.

Four glass cases packed with baked goods form a long counter. Tall wooden shelves with a mirror in the middle are lined with boxes. The floor has a checkerboard pattern.

Hunts’ bakery shop, Toronto, Ontario (PA-068155)

Bakeries can be found everywhere throughout history. Armies had field bakeries, and forts had bakeries drawn into their plans. Outdoor or communal ovens provided options to families. New immigrants started bakeries and brought with them recipes from their home countries.

Three children watch while their mother pull bread from an outdoor brick oven. A house and a field can be seen in the background.

Bread baking in an outdoor oven (e011175772)

On a residential street, a horse is pulling a wagon labeled with “Quality,” “Wonder Bakeries Limited,” and a picture of a Wonder Bread loaf.

Delivery wagon, Wonder Bakeries Limited (PA-060334)

Baking has changed immensely in the last century with factories and mechanization making large quantities of bread. But small neighbourhood bakeries still exist and are part of city landscapes. A favourite baker or a large factory can be a landmark. These photos show a story of immigration, home bakeries, small businesses, and large factories.

A wooden building with “Café Royal and Bakery” painted on it. Three waiters and four customers stand on the boardwalk in front of the building.

Café Royal & Bakery (PA-013518)

Visit the Flickr album now!


 

Charles Gimpel and the Canadian Arctic: 1958–1968

On the left of the graphic, Tatânga Mânî [Chief Walking Buffalo] [George McLean] in traditional regalia on horse. In the middle, Iggi and girl engaging in a “kunik”, a traditional greeting in Inuit culture. On the right, Maxime Marion, a Métis guide stands holding a rifle. In the background, there is a map of Upper and Lower Canada, and text from the Red River Settlement collection.

By Miranda Virginillo

Charles Gimpel was an English photographer and art collector who travelled in the Canadian Arctic many times between 1958 and 1968, capturing moments of Inuit life. In 1958, the Hudson’s Bay Company (HBC) funded Gimpel’s trip from Winnipeg to Churchill, Manitoba, and to various ports around the Foxe Basin and northern Hudson Bay. In return, the HBC received photographs of their stores and the products in use in Kangiqliniq (Rankin Inlet), Igluligaarjuk (Chesterfield Inlet), Pangnirtung and other locations. The Department of Northern Affairs and Natural Resources Canada funded subsequent trips to the Arctic, in varying degrees. Gimpel’s patrons largely determined his activities in what was then part of the Northwest Territories (present-day Nunavut). Gimpel’s correspondence, articles, journals, notebooks and large number of slides in the Charles Gimpel fonds chronicle the beginning of an era of artistic production in the Canadian Arctic. The notebooks from his first trip in 1958 are particularly specific about his activities and demonstrate who and what would influence the rest of his career. Gimpel’s notebooks and photographs detail the places he travelled, the people he encountered and the conversations he had with them.

Colour photograph of an Inuk man, Kove, and Charles Gimpel dressed in brown-and-white fur parkas. The photo is very hazy because of a snowstorm.

Charles Gimpel (right), whose Inuit nickname was Ukjuk, with friend and guide Kove in a snowstorm near Inuksugalait (Inuksuk Point, Enukso Point), possibly Kinngait (Cape Dorset), May 1968 (e011212607)

My job as a Carleton University practicum student was to record the details of the places where Gimpel went and the people he met during his travels, to decipher his notebooks written in a personal shorthand, and to determine the location of a hand-drawn map. The first task was no small feat. The trip between Winnipeg and Churchill took five days by train, and Gimpel was interested in the stories of everyone he encountered on the journey. During his first trip alone, Gimpel recorded varying levels of information for approximately 40 named people, and for many more who were unidentified.

In deciphering Gimpel’s notebooks, the code followed the same pattern throughout: date, location, film conditions, subjects and, noted later, the four-digit identifier for the film roll in his collection. For example, “6241” indicated roll 41, taken in 1962.

The map refers to an arrangement of inuksuit (plural for inuksuk) at Inuksugalait (Inuksuk Point, Enukso Point). Inuksuit are cairns to mark a place for others or oneself. They serve many purposes, from being navigational aids to communicating good fishing spots or food caches. Gimpel recorded the height of each inuksuk and the distances between them, measured in feet. He also laid “claim” to the inuksuit by naming them after his friends and companions. The shorter inuksuit were named after children he had met on his trip: Nuvuolia (Nuvuoliak, Nuvoalia) and his adopted brother Irhalook, and Kove’s son Iali. The larger inuksuit were named after his interpreters, Pingwartok and Johanessie, and the sculptor Tunu. Gimpel even went so far as to give one inuksuk his own Inuit nickname, Ukjuk, which means bearded seal.

Hand-drawn map on white paper in a spiral notebook. The map consists of red circles with black lines between them, names of the inuksuit, numbers in brackets and a compass indicating East, South, West and North.

Map of inuksuit at Inuksuk Point, page 10 of document, 1964 (e011307430)

At the end of his 1958 journal, Gimpel recorded his meeting with James (Jim) Houston. This introduction solidified Gimpel’s interest in the Canadian Arctic for the rest of his life. Over the next decade, both men coordinated their efforts with Terry Ryan of the West Baffin Island Eskimo Cooperative (WBIEC) and the heads of other co-operatives in the Arctic to help develop this source of income for Inuit. Gimpel provided international venues, including the Gimpel Fils art gallery in London, the Smithsonian Institution in Washington, D.C., and the Bezalel National Museum in Jerusalem, with art from Kinngait (Cape Dorset), Iqaluit (formerly Frobisher Bay) and nearby camps. Photographs from his 1964 and 1968 trips capture stone carvers at work in Iqaluit and at the WBIEC.

A colour photograph of an Inuk man wearing a dark jacket and cap as he carves white statues.

Henry Evaluardjuk carving, Iqaluit, April 1964 (e011212063)

A colour photograph of an Inuk man sitting behind a stone sculpture with his tools in front of it.

Unidentified sculptor, Iqaluit, April 1964 (e011212065)

Gimpel’s trips were taken at a time when many people from southern Canada and abroad were discovering the unique Inuit art and culture. His journals and the photographs he took during his trips to the Arctic are now available online. The Rosemary Gilliat Eaton fonds, the James Houston fonds and the Canadian Eskimo Arts Council series in the Department of Indian Affairs and Northern Development fonds also reflect this pivotal time in history.

This blog is part of a series related to the Indigenous Documentary Heritage Initiatives. Learn how Library and Archives Canada (LAC) increases access to First Nations, Inuit and Métis Nation collections and supports communities in the preservation of Indigenous language recordings.


Miranda Virginillo, from the School of Art and Culture at Carleton University, is an undergraduate practicum student in the Public Services Branch at Library and Archives Canada.

Images of Agnes Chamberlin’s Flower Prints now on Flickr

Agnes Chamberlin (née Dunbar Moodie and previously Fitzgibbon) came from a literary family. Her mother, Susanna Moodie, and her aunt, Catharine Parr Traill, were well known for their now classic descriptions of pioneer life in Ontario, Roughing it in the Bush (by Moodie) and The Backwoods of Canada (by Parr Traill).

Two white lilies, one open, one closed, and two yellow lilies lying on a bed of green leaves.

Canadian Wild Flowers, Plate VIII (e011308817)

Chamberlin was taught to paint by her mother and, following in her family’s footsteps, applied this skill to literature. Beginning in 1863, she started producing illustrations for her aunt’s proposed book on Canadian flowers.

Canadian Wild Flowers, Plate VII (e008300821)

When Chamberlin’s first husband died, she turned this work into a way to support her family. Collaborating with her aunt, Chamberlin produced Canadian Wildflowers, an illustrated botanical book combining Parr Traill’s text with Chamberlin’s hand-coloured lithographs.

Two white lady’s slippers standing upright among large green leaves, an orange lily, a lily bud, and small blue harebells.

Canadian Wild Flowers, Plate V (e011183290)

The book was a success and praised for the accuracy of its illustrations. Four editions were published between 1868 and 1895, each with Chamberlin’s hand-coloured plates. It was one of the first large illustrated books to be printed and published completely in Canada. Following this book, Chamberlin also contributed to Parr Traill’s Studies of Plant Life and exhibited her work in Philadelphia in the United States, as well as in England and Canada.

A red trillium standing upright among large green leaves, round purple flowers, and pale purple flowers.

Canadian Wild Flowers, Plate IV (e011308814)

Following this book, Chamberlin also contributed to Parr Traill’s Studies of Plant Life and exhibited her work in Philadelphia in the United States, as well as in England and Canada.

Visit the Flickr album now!


 

A selection of records about D-Day and the Normandy Campaign, June 6 to August 30, 1944

By Alex Comber

With part 1 of this post, we marked the 75th anniversary of D-Day and commemorated Canada’s participation in the June 6, 1944, invasion of northwestern Europe, and the Normandy Campaign, which ended on August 30, 1944. In part 2, we explore some of the unique collections that Library and Archives Canada (LAC) holds about these events, and highlight some records that are the most accessible to our clients online. Through outreach activities, targeted and large-scale digitization, DigiLab and our new and Co-Lab initiatives, LAC is striving to make records more easily available.

A black-and-white image taken from moving film, showing soldiers exiting a landing craft.

A frame of Canadian Army Newsreel No. 33, which includes a sequence of film from the Canadian D-Day landings on June 6, 1944

LAC staff receive many reference requests about our collections of photos. Canadian Film and Photo Unit (CFPU) personnel went ashore 75 years ago, on D-Day, filming and photographing as they landed. During the Normandy Campaign, they continued to produce a visual record that showed more front-line operations than official photographers had been able to capture in previous conflicts. Film clips were incorporated into “Canadian Army Newsreels” for the audiences back home, with some clips, such as the D-Day sequence above, being used internationally.

Photographers attached to the army and navy used both black-and-white and colour cameras, and the ZK Army and CT Navy series group the magnificent colour images together.

A colour photograph showing an armoured vehicle with a large main gun.

A British Centaur close-support howitzer tank assisting Canadians during the Normandy Campaign (e010750628)

Some of the most iconic imagery of the Canadian military effort in Normandy was incorporated into the Army Numerical series; by the end of hostilities, this had grown to include more than 60,000 photographs. The print albums that were originally produced during the Second World War to handle reproduction requests can help in navigating this overwhelming amount of material. Researchers at our Ottawa location refer to these volumes as the “Red Albums,” because of their red covers. These albums allow visitors to flip through a day-by-day visual record of Canadian army activities from the Second World War. LAC has recently digitized print albums 74, 75, 76 and 77, which show events in France from June 6 until mid-August 1944.

A page of black-and-white photographs showing photos of landing craft, destroyed enemy beach defences, and villages and landing beaches.

A page from Army Numerical print album Volume 74 of 110, showing the immediate aftermath of the landings (e011217614)

LAC also holds an extensive collection of textual records related to the events of June–August 1944. One of the most important collections is the War Diaries of Canadian army units that participated in the campaign. Units overseas were required to keep a daily record, or “War Diary,” of their activities, for historical purposes. These usually summarized important events, training, preparations and operations. In the Second World War, unit war diaries also often included the names of soldiers who were killed or seriously injured. Officers added additional information, reports, campaign maps, unit newsletters and other important sources in appendices. Selected diaries are being digitized and made accessible through our online catalogue. One remarkable diary, loaded in two separate PDF scans under MIKAN 928089, is for the 1st Canadian Parachute Battalion, the first Canadian soldiers in action on D-Day, as part of “Operation Tonga,” the British 6th Airborne Division landings.

A colour digitized image of a typescript account of D-Day operations.

Daily entry for June 6, 1944, from the War Diary of the 1st Canadian Parachute Battalion, detailing unit objectives for Operation Overlord (D-Day) (e011268052)

War diaries of command and headquarters units are also important sources because they provide a wider perspective on the successes or failures of military operations. These war diaries included documents sourced from the units under their command. Examples that are currently digitized include the Headquarters of the 3rd Canadian Infantry Division, from June and July 1944.

: A colour digitized image of a typescript account of D-Day operations.

War Diary daily entries for early June 1944, including the first section of a lengthy passage about operations on June 6, 1944 (e999919600)

LAC is also the repository for all Second World War personnel files of the Canadian Active Service Force (Overseas Canadian Army), Royal Canadian Navy and Royal Canadian Air Force. The service files of approximately 44,000 men and women who died while serving in these forces from 1939 to 1947 are open to the public. These records include the more than 5,000 files of those who died in operations during the Normandy Campaign. As the result of a partnership with Ancestry.ca, a portion of every open service file was digitized. This selection of documents was then loaded on Ancestry.ca, fully accessible to Canadians who register for a free account. To set up a free account and access these files on Ancestry.ca, see this information and instruction page on our website.

These records have great genealogical and historical value. As the following documents show, they continue to be relevant, and they can powerfully connect us to the men and women who served in the Second World War, and their families.

Medical document that shows a schematic view of upper and lower teeth, with annotations indicating missing teeth and dental work.

Private Ralph T. Ferns of Toronto went missing on August 14, 1944, during a friendly-fire incident. His unit, the Royal Regiment of Canada, was bombed by Allied aircraft as soldiers were moving up to take part in Operation Tractable, south of Caen. Sixty years later, near Haut Mesnil, France, skeletal remains were discovered. The Department of National Defence’s Casualty Identification Program staff were able to positively identify Private Ferns. The medical documents in his service file, including this dental history sheet, were important sources of information. Ferns was buried with full military honours at Bretteville-sur-Laize Canadian War Cemetery in 2008, with his family in attendance

An official document written in French, dated July 1948, that responds to a family request to communicate with those caring for the grave of Private Alexis Albert, North Shore (New Brunswick) Regiment.

Private Alexis Albert, serving with the North Shore (New Brunswick) Regiment, was killed in action in France on June 11, 1944. Four years later, his father, Bruno Albert, living in Caraquet, New Brunswick, requested the address of the family that was tending his son’s grave at Bény-sur-Mer Canadian War Cemetery in France, to thank them. The Director of War Service Records, Department of Veterans Affairs, provided this response, which helped to connect the grieving family in Canada with French citizens carefully maintaining the burial plot in Normandy.

These are only a few examples of LAC records related to the Canadian military effort in France from June 6 until the end of August 1944. Our Collection Search tool can locate many other invaluable sources to help our clients explore the planning and logistical efforts to sustain Canadian military operations in France, delve deeper into the events themselves, and discover personal stories of hardships, accomplishments, suffering and loss.

A black-and-white photograph showing many rows of Imperial War Graves Commission headstones, and a large Cross of Sacrifice.

Bény-sur-Mer Canadian War Cemetery, which includes the graves of 2,000 Canadian soldiers who died during the early phases of the Normandy Campaign (e011176110)


Alex Comber is a Military Archivist in the Government Archives Division at Library and Archives Canada.

New podcast! Check out our latest episode, “Prime Ministers and the Arts”

Library and Archives Canada (LAC) is releasing its latest podcast episode, “Prime Ministers and the Arts”.

Colour image of a puppet that resembles Prime Minister John Diefenbaker.

Library and Archives Canada is the main repository for documents relating to Canada’s Prime Ministers. LAC not only has all the political documents relating to each Prime Minister, but also intriguing, less official and often unexpected items.

The exhibition entitled Prime Ministers and the Arts: Creators, Collectors and Muses curated by LAC employees Madeleine Trudeau and five time podcast guest Meaghan Scanlon, weaves artwork, artifacts, documents, objects, portraits and photographs together to reveal a less formal, but equally fascinating side to our former Prime Ministers.

The exhibition is on right now at 395 Wellington in Ottawa. It runs until December 3rd, 2019.

Subscribe to our podcast episodes using RSS, iTunes or Google Play, or just tune in at Podcast–Discover Library and Archives Canada: Your History, Your Documentary Heritage.

Related Links:

Discover the Collection: Art

Discover the Collection: Biography and People

Discover the Collection: Politics and Government

For more information, please contact us at bac.balados-podcasts.lac@canada.ca.

The Winnipeg General Strike trials: a new Co-Lab challenge

By David Cuthbert

This year marks the centenary of the Winnipeg General Strike, one of the most pivotal events in Canadian and world labour history. As my colleague Kelly Anne Griffin described in an earlier blog post, the strike saw over 30,000 men and women from various backgrounds stand together for six weeks to demand collective bargaining rights, fair wages and more power for working people.

The strike is also historically noteworthy for the federal government’s role in its suppression, and for the deportations and criminal prosecutions of some of the strike’s leaders on questionable charges. Among the numerous records related to the Winnipeg General Strike held by Library and Archives Canada (LAC), a large, two-volume Department of Justice file provides powerful evidence of the federal government’s involvement in the strikes and of the public’s response to the arrests and trials of the strike leaders. This file is known as RG 13 (Department of Justice), 1987-88/103, Box 36, 9-A-1688, “William Ivens and Robert Russell the King Vs. the A/M Regarding the Winnipeg Strike.”

A selection of digitized documents from the first volume of this file is now available as LAC’s latest Co-Lab challenge. The Co-Lab is a crowdsourcing tool that the public is invited to use to enhance the description and discoverability of particular archival documents. By contributing transcriptions, translations, tags and descriptive text through the Co-Lab challenge, individuals can help improve LAC’s search tools and enrich everyone’s experience of the historical record.

Telegram dated August 29, 1919, from the Women’s Labor League of Elmwood Winnipeg to the Minister of Justice condemning the government’s actions toward the strike leaders and demanding their release.

Telegram from Women’s Labor League of Elmwood Winnipeg to the Minister of Justice, August 29, 1919 (e011201449)

Arthur Meighen and A.J. Andrews

Department of Justice file 9-A-1688 earned some notoriety among historians of the Winnipeg General Strike following the publication in 2010 of a book by Reinhold Kramer and Tom Mitchell, When the State Trembled: How A.J. Andrews and the Citizens’ Committee Broke the Winnipeg General Strike. Kramer and Mitchell carefully examine the correspondence in the second volume of this file. They demonstrate the extraordinary extent to which the federal government’s response to the strike was guided by representatives of the Citizens’ Committee of One Thousand, a private group established by members of Winnipeg’s business and ruling classes to oppose the strike.

Prominent local lawyer and former Winnipeg mayor A.J. Andrews emerged as the principal strategist of the Citizens’ Committee. After persuading Acting Justice Minister Arthur Meighen to appoint him as an informal representative of the federal Department of Justice, Andrews sent frequent reports to Meighen on developments in Winnipeg. Andrews argued that foreign revolutionaries had orchestrated the strike, and he urged the federal government to take decisive action. He saw the strike as a political opportunity to defeat the labour movement and tried to thwart any negotiations with the Central Strike Committee.

Meighen was initially reluctant to encroach on the jurisdictions of the civic and provincial governments by intervening in the strike. Nevertheless, with the encouragement of Andrews, Meighen amended the Immigration Act in early June to permit the federal government to deport British-born individuals suspected of subversive activities. This amendment allowed the government to target some prominent leaders of the strike, many of whom were trade unionists born in Great Britain, who had previously enjoyed the same rights as Canadian-born citizens.

Arrests in the night

In the early hours of June 17, Andrews ordered the Royal North-West Mounted Police (RNWMP) and a squad of “special constables” recruited by the Citizens’ Committee to raid the Central Strike Committee headquarters and the homes of several strike leaders. The RNWMP seized documents and books as evidence, and arrested R.B. Russell, William Ivens, George Armstrong, R.E. Bray, A.A. Heaps, John Queen, Max Charitonoff, Oscar Schoppelrei and Moses Almazoff. More arrests, of others also perceived as strike leaders, including William Pritchard, J.S. Woodsworth, Samuel Blumenberg and Fred Dixon, followed over the next week. R.J. Johns was arrested when he returned to the city.

The first page of a typewritten document listing and summarizing the documents obtained from Room 30 of the Ukrainian Labour Temple. The descriptions include short summaries of minutes from Central Strike Committee meetings.

A list of documents confiscated from the Ukrainian Labour Temple after the Royal North-West Mounted Police raided the Central Strike Committee headquarters in the early morning of June 17, 1919 (e011201486)

The federal state’s apprehension of the leaders inspired immediate outrage among supporters of the strike. A group of war veterans organized a silent march to protest the arrests, which led to the large June 21 gathering on Main Street that triggered the explosive events of Bloody Saturday. Another group of veterans submitted a petition to the Department of Justice requesting their own deportations from Canada, because they felt that “this Country is not Governed in the Democratic Spirit for which we fought.”

A petition dated June 24, 1919, with a typewritten statement followed by columns for signatures, addresses and the number of family members. The signatures, addresses and family members listed below the statement are in manuscript.

A petition signed by war veterans requesting their own deportations because Canada is no longer “Governed in the Democratic Spirit for which we fought.” (e011201484)

A “seditious conspiracy”

Shortly after the detention of the strike leaders, Meighen was surprised to learn that Andrews wanted to charge some of the men under the Criminal Code, rather than the Immigration Act. Meighen resisted this approach for as long as he could, but with the return from Europe in early July of Charles Doherty, the Justice Minister for whom Meighen had been acting, Andrews found an audience more receptive to his plan. Ultimately, only the four detained strike leaders of Eastern European ancestry—Blumenberg, Charitonoff, Schoppelrei and Almazoff—had immigration hearings, and all but Almazoff were deported.

The intention of Andrews to criminalize the strike was evident at the preliminary hearing for Russell, Ivens, Armstrong, Bray, Heaps, Queen, Pritchard and Johns. (The trials of Woodsworth and Dixon took place later.) Each man faced charges of six counts of involvement in a seditious conspiracy and one count of committing a common nuisance. Importantly, the charges related not only to the men’s actions during the strike but also to the ideas they had espoused and the public statements they had made over the previous year. The Crown, with Andrews as its lead prosecutor, maintained that the men had contributed to the strike by promoting conflict between social classes and by advocating the overthrow of the Canadian government. As Andrews phrased it during the preliminary hearing, “They started the fire and it was still burning.”

Moreover, the judges presiding over the preliminary hearing concurred with the argument by Andrews that the eight men could not be trusted to refrain from speaking and agitating for their cause in public. In a shocking decision, the judges denied the strike leaders release on bail while they awaited their trial date. Although an appeal would overturn this decision a month later, the injustice endured by the jailed strike leaders inspired another campaign of protest, one that is richly documented in the Co-Lab documents.

A manuscript letter on yellowing paper dated August 26, 1919.

Letter to the Minister of Justice, Charles Doherty, from William G. Irwin of Winnipeg (e011201451)

Shortly before the trial was set to begin in November 1919, the prosecution separated R.B. Russell’s case from those of the other seven accused leaders, partly to facilitate the appointment of a jury more favourable to a conviction. Found guilty by the jury on all counts, Russell was sentenced to two years in Stony Mountain Penitentiary. The trial of the remaining seven leaders in January 1920 resulted in the convictions of six of the defendants, with only Heaps cleared of all charges.

The Manitoba Court of Appeal upheld Russell’s guilty verdict. With no dissenting opinions in the provincial appeal, the case was ineligible for reference to the Supreme Court of Canada. Nevertheless, Russell’s supporters elected to send his case to the Judicial Committee of the Privy Council (JCPC) in Great Britain. The JCPC was reluctant to interfere in a foreign criminal case and declined the appeal, but the document submitted to petition for appeal offered a detailed summary of the charges and evidence against Russell and the other leaders. It also contained lengthy extracts from the transcript of the trial and a summary of some of the legal indiscretions that, in the petitioners’ view, contributed to Russell’s wrongful conviction.

A page of typescript, with a handwritten note in the left-hand margin at the top of the page.

First page of the Petition for Special Leave to Appeal (e011201487)

According to Mary V. Jordan, Russell’s long-time secretary, the judge who presided over Russell’s first trial asked on his deathbed to speak with Russell, presumably because the judge felt guilty about the trial’s outcome. However, Russell refused to visit him.

An appeal for collaboration

LAC’s latest Co-Lab challenge offers participants a chance to examine in great detail some of the public and legal responses to the Winnipeg General Strike. As noted above, Kramer and Mitchell’s When the State Trembled provides a thorough discussion of the behind-the-scenes efforts by A.J. Andrews to break the strike, as documented in the second volume of Department of Justice file 9-A-1688. By focusing on the first volume of the same file, this Co-Lab challenge highlights some of the public expressions of support for the strike leaders and invites participants to reconsider the verdicts of the Winnipeg General Strike trials.


David Cuthbert is an archivist in the References Services Division of the Public Services Branch at Library and Archives Canada’s Winnipeg office.

Images of Potatoes now on Flickr

A black-and-white photograph of a man collecting potatoes in a field and filling a basket.

A potato harvest, New Brunswick [e011176012]

Potatoes are native to South America and date back many thousands of years.

A black-and-white photograph of a man riding a potato planter pulled by two horses.

A potato planter, Leeds County, Ontario [PA-043221]

Spanish conquistadors brought back potato samples to Europe during the 1500s. However, it was not until the 1700s that views toward the tuber had changed. No longer a curiosity from South America, the potato was cultivated as a stable and ample food source. Farming of the tuber spread slowly across Europe and eventually to North America.

A black-and-white photograph of four men examining potatoes on a small conveyor belt in a barn.

Master Farmer Lewis Winterburn and three men examining potatoes on a conveyor belt during the potato harvest [e010950952]

Cultivation of potatoes occurs in every Canadian province. The largest-scale farming happens in the provinces of Prince Edward Island, Manitoba, and Alberta. The potato ranks among the top global food crops along with rice, wheat, and corn.

A black-and-white photograph of women factory workers involved in the preparation and production of potatoes.

Women working in a factory where potatoes are dehydrated, Kentville, Nova Scotia [e010962111]

Visit the Flickr album now!

Treaties with Indigenous peoples: past and present

By Elizabeth Kawenaa Montour

Treaties between Indigenous peoples and settlers were made during early contact and continue to be negotiated today. Subsection 35(1) of the Constitution Act, 1982 recognizes and affirms the existing Aboriginal (Indigenous) and Treaty rights of Aboriginal peoples in Canada. Library and Archives Canada’s (LAC) holdings include pre-Confederation and post-Confederation Indigenous treaties and treaty-related material. A range of this content is available on our website, to promote public awareness and improve access. Modern treaty agreements are located in the Inuit and Indian Affairs Program sous-fonds. LAC preserves many treaties but does not have all of them. There are descriptions of modern treaties in our catalogue, but some are not yet available for public viewing. Many early treaties and agreements from the Western and Maritime regions are archived in other institutions.

Gray-toned illustration of a hilltop with a tent and flags, soldiers on horseback, First Nation peoples, and tipis and a cart, with trees in the foreground and clouds in the background. The words “Canadian Illustrated News” and “December 16, 1876” appear on the side of the image.

Treaty with Saskatchewan Saka wiyiniwak (Cree) at Fort Carlton (Western Treaty No. 6) (e002140161)

The word “treaty” may seem like a dated diplomatic term. In fact, treaties are constitutionally recognized agreements between the Crown and Indigenous peoples. They are therefore still negotiated and signed today. Treaties document how Canada developed into its present form. The historical development of treaties is very complex, and each is unique. Ideally, the intent and scope of a treaty should be based on a clear, shared understanding of the interests and outcomes for the participating parties. In reality, the early treaties were agreements between two parties from two different cultures, which affected understandings and outcomes. Many of these types of documents were detrimental for Indigenous people, resulting in the erosion of their culture and the loss of their territorial land bases.

A handwritten page that includes the location, date, parties, signatories and some of the text of Western Treaty No. 5.

Western Treaty No. 5 – treaty and supplementary treaties with First Nations at Berens River, Norway House, Grand Rapids and Wapang – IT 285 (e002995143)

A black-and-white photograph of an obelisk monument with a wheeled cart nearby.

First Nations treaty monument at Fort Qu’Appelle, Saskatchewan (Western Treaty No. 4) (a019282)

Pre-Confederation: from contact to 1867

Treaties before Confederation involved several changing political entities. The colonists involved may have been Dutch, French, British or other; the land may have been classified under names like New France, British North America, Rupert’s Land, Upper Canada, Lower Canada, Canada West (Ontario), Canada East (Quebec) and Colonial America (the Thirteen Colonies). Early Eastern treaties were known as “peace and friendship” treaties, since their purpose was to prevent conflict. Some involved protocols with the use of oral traditions, symbolic items and gestures such as using pipes, tobacco and wampum belts. This conveyed and signified the importance of a shared message. Beginning in 1818, annual treaty payments were made to individual First Nations who had signed treaties. This practice continues with some disbursements still honoured today and paid out to those who are eligible.

Post-Confederation: from 1867 to 1975

The Western numbered treaties, from 1 to 11, covered areas from the southern tip of James Bay and west to the Rocky Mountains, from the United States boundary line and north to the Beaufort Sea. These should not be confused with the Upper Canada Land Surrenders, which are also numbered. Most of the western plains were ceded to the Canadian government through treaties, which was significant because the Royal Proclamation of 1763 stated that settlers could not occupy land unless it had been surrendered to the Crown by First Nations. In 1871, British Columbia was brought into Confederation with the promise of a transcontinental railway within 10 years. Manitoba was created out of Rupert’s Land in 1870, with Alberta and Saskatchewan following in 1905.

A black-and-white photograph of First Nations men and government officials posing in front of treaty documents, with a flag in the background.

Signing of the treaty at Windigo, Ontario, on July 18, 1930 (Western Treaty No. 9) (C068920)

A black-and-white photograph of a line of First Nations men dancing, with a building and tents in the background.

1937: “6 A.M. and the treaty dance is still going strong” at Fort Rae, Northwest Territories; Tlicho (Dogrib-Behchoko/Rae-Edzo/Edzo) (a073741)

A black-and-white photograph of an aerial view of a riverbank with narrow roads, tents and people walking. On the right are trees and a barn-like building.

Maskeko wiyiniwak (Cree) camped along the shore in 1935 for Treaty 9 payments at Moose Factory, Ontario (a094977)

Modern treaties: from 1975 to the present

The landmark James Bay and Northern Quebec Agreement (1975) was the first major agreement between the Crown and Indigenous peoples in Canada since the numbered treaties. It was amended in 1978, by the Naskapi First Nations, who joined the accord through the Northeastern Quebec Agreement. Additional agreements followed: the Nunavut Land Claims Agreement (1993), the Nisga’a Final Agreement (2000), the Labrador Inuit – Nunatsiavut (2005) and the Nunavik Inuit – Northern Quebec (2006) agreements, the Eeyou Marine Region Land Claims Agreement (2010), the Tshash Petapen (New Dawn) Agreement with the Innu of Labrador (2011), and more.

Treaties Recognition Week Act, 2016 (Ontario)

A handwritten page written in black ink with red accents. Titled “Indian Treaty,” it includes the date, parties and signatories.

Williams Treaty No. 2 – Mississauga First Nations of Rice, Mud and Scugog Lakes and Alderville – IT 488 (e011185581)

The Treaties Recognition Week Act, 2016 was recently enacted by the Government of Ontario. During Treaties Recognition Week in 2018, LAC displayed the original Williams Treaty of 1923, the last historic land cession treaty in Canada, at the University of Ottawa.

The Lubicon (Saka wiyiniwak) Land Claim Settlement (2018)

A land claim settlement was awarded to the Lubicon Lake Band of Cree in Northern Alberta in 2018. They were inadvertently not included in Treaty 8 in 1899, and for decades they had asked the federal and provincial governments to allocate a reserve for them. By the 1980s, oil exploration and wells in their traditional territory made their claim urgent. They made themselves heard in 1988, when the Winter Olympics were about to be held in Calgary, Alberta, with a boycott of a landmark exhibition of Indigenous art and culture, “The Spirit Sings” (ironically, it was originally titled “Forget Not My Land”).


Elizabeth Kawenaa Montour is a project archivist in the Exhibitions and Online Content Division of the Public Service Branch at Library and Archives Canada.

 

The founding of New Brunswick

By Valerie Casbourn

On June 18, 1784, British authorities ordered that the colony of Nova Scotia be divided in two. As the American Revolution ended in 1783, some 30,000 Loyalists (American colonists who remained loyal to the British Crown) travelled north to flee persecution in the United States. Almost half of these Loyalists settled in the region west and north of the Bay of Fundy. This dramatic influx of settlers prompted the British to create the new colony of New Brunswick.

A hand-coloured print of a map of the province of Nova Scotia dated 1781. The map shows the Gulf of St. Lawrence and the lands now known as Nova Scotia, New Brunswick, Prince Edward Island, the Gaspé and the southwest part of Newfoundland.

A new and accurate map of the province of Nova Scotia in North America from the latest observations [1781] (e007913197-v8)

Changing population: The arrival of the Loyalists

New Brunswick is part of the traditional unceded territory of the Wolastoqiyik (Maliseet), the Mi’kmaq and the Passamaquoddy First Nations. Prior to the Loyalists’ arrival, the region had about 5,000 inhabitants. This included First Nations, Acadians, and small numbers of settlers from the American colonies and from Great Britain.

In 1783–1784, after the end of the American Revolution, about 14,000 Loyalist refugees arrived in this region. The Loyalists included Americans of British or other ancestry, Black Loyalists and people who remained enslaved (sometimes identified as “servants” in colonial records). Some were civilians, while others had fought for the British during the war, either in various Loyalist regiments (often known as Provincials) or as members of the regular British military forces.

British authorities promised the Loyalists and British military veterans land grants. As such, the British surveyed the land for settlement and some Loyalist associations travelled ahead to scout the land. When the Loyalists arrived, they began to claim land and establish farms and settlements, particularly at Saint John and along the Saint John River Valley.

Library and Archives Canada (LAC) holds a variety of records related to the Loyalists’ arrival. You can search for the names of individual Loyalists in LAC’s four Loyalist databases. The Ward Chipman (senior and junior) fonds (MG23-D1) is especially relevant to the story of New Brunswick. Many records from the Ward Chipman fonds are available on the Héritage Canadiana website as digitized microfilm reels.

The new province of New Brunswick

Influential groups of Loyalists who settled in the Saint John River Valley did not wish to be governed from faraway Halifax and asked for the colony of Nova Scotia to be divided. This demand for a separate province began even before some Loyalists left the United States and it continued to grow. Loyalists found support for their campaign in London, England, and New Brunswick was created on June 18, 1784.

Black and white image of the first page of a handwritten letter of thanks to Edward Winslow from representatives of Saint John River Loyalists, dated June 19, 1784.

The first page of a two-page letter of thanks to Edward Winslow from representatives of Saint John River Loyalists, dated June 19, 1784. (MG23-D1 volume 11 page 524, microfilm reel C-13151)

Black and white image of the second page of a handwritten letter of thanks to Edward Winslow from representatives of Saint John River Loyalists, dated June 19, 1784.

The second page of a two-page letter of thanks to Edward Winslow from representatives of Saint John River Loyalists, dated June 19, 1784. (MG23-D1 volume 11 page 525, microfilm reel C-13151)

LAC holds copies of the British Colonial Office’s correspondence about Nova Scotia, New Brunswick and the Loyalists’ arrival. Of particular importance are the 1783–1784 records in the series “CO 217. Nova Scotia and Cape Breton, Original Correspondence” (MG11-CO217NovaScotiaA). The correspondence is described in the Report on Canadian Archives, 1894, and the Héritage Canadiana website has transcribed copies on digitized microfilm reels.

As large numbers of Loyalists settled on lands in New Brunswick, they encroached on the traditional territory of the Wolastoqiyik (Maliseet), the Mi’kmaq and the Passamaquoddy. The First Nations lost the use of much of their territory, which was essential to their traditional way of life, as they were displaced by rapidly expanding colonial settlement.

More information

Try using LAC’s Collection Search to explore other documents, maps and images related to New Brunswick. The Provincial Archives of New Brunswick holds many resources, including records of land grants in the province.

The Loyalists’ arrival in 1783 had a deep and lasting effect on the land and peoples of the Maritimes, and triggered the creation of the province of New Brunswick the following year. As time passed, the people of New Brunswick built up settlements, farms and fishing, timber and shipbuilding industries in the province.

A coloured print of an engraving looking towards the city of Saint John, New Brunswick, with sailboats in the harbour and a few people in the foreground.

The City of Saint John was incorporated in 1785. “View of the City of St. John, New Brunswick.” No date, Peter Winkworth Collection of Canadiana. (e002291761)

Related resources

Related blog posts:

Images of New Brunswick now on Flickr

Do you have ancestors of Black heritage?

The United Empire Loyalists—Finding their Records


Valerie Casbourn is an archivist based in Halifax with Regional Services at Library and Archives Canada.