Juvenilia in the archives: a reading of Jane Urquhart’s early works

By Sara Viinalass-Smith

Juvenilia is defined as works produced by an author while still young. Juvenilia can provide unique insights into a creator’s early influences and the evolution of their writing. For many reasons, researchers will unfortunately find that examples of juvenilia are not always present amongst an author’s papers. Over time, juvenilia might go missing, be discarded, or even destroyed.

Some famous examples of lost juvenilia include Ernest Hemingway’s early works. When Hemingway was 23, a suitcase full of his early drafts and their carbon copies was stolen at a train station. All that remained of his early works, then, were a couple of short stories, a poem and some carbon copies of articles he had written. In the case of Truman Capote, his lost juvenilia weren’t really lost at all. Upon his death, his papers were donated to the New York Public Library (NYPL). Amongst them were several short stories written by Capote in his teens and early 20s. In 2013, a researcher came across the stories, and in 2015 they were published in The Early Stories of Truman Capote (Random House) and hailed as newly discovered texts. However, the NYPL’s Manuscripts and Archives Division was quick to make the distinction between “undiscovered” and “unpublished” in the media. While the stories had not necessarily ever been in print, they had been catalogued and were available to anyone wishing to consult Capote’s papers.

Though there are many reasons why early works might not find their way into the archives, Library and Archives Canada’s Literary Archives Collection is fortunate to include a variety of pieces of juvenilia. One very special example comes from the Jane Urquhart fonds.

The celebrated author of such works as The Underpainter and The Stone Carvers showed an early interest in creative pursuits. Urquhart (née Carter) was keen to experiment with different literary forms and studied acting from a young age. As a girl in the 1950s, she loved the books of Lucy Maud Montgomery, and adapted the novel Anne of Green Gables into a play.

A notebook with pencil handwriting of a dramatization of Anne of Green Gables.

A page from Jane Urquhart’s notebook titled “Anne of Green Gables” (e011202224)

Written in a blue Hilroy notebook, an elementary school mainstay for decades, Urquhart’s play opens with the familiar scene of Matthew Cuthbert and Anne Shirley in what Urquhart describes as a stage coach, on their way to Green Gables for the first time. While the script represents only a small portion of Lucy Maud Montgomery’s novel, the text illuminates Urquhart’s own early reading interests and writing style. Even at such a young age, Urquhart follows the conventions of scriptwriting by beginning with a setting description and designating dialogue to different speakers. She was perhaps familiar with how a script is formatted because of her interest in acting. Within a few years of drafting her adaptation of Anne of Green Gables, Urquhart was a member of an acting workshop under the direction of Canadian theatre pioneer Dora Mavor Moore.

What makes this example of juvenilia even more important is how it contributes to our understanding of the lasting influence of Lucy Maud Montgomery and her works on Urquhart. Montgomery’s novels continue to have a worldwide audience, even though more than a century has elapsed since the original publication of Anne of Green Gables. Like many girls and boys, Urquhart discovered Montgomery’s novels as a child. Urquhart, however, had the unique opportunity of reflecting on Montgomery and her works as an adult, formally encapsulating her feelings about the books and their author in a biography written for Penguin Canada’s Extraordinary Canadians series. L. M. Montgomery was published in 2009. In it, Urquhart examines Lucy Maud Montgomery, the writer and the woman. She describes the struggles of an author who achieves commercial success, but who is ignored by literary critics who dismiss her writing as sentimental and lowbrow—criticisms levelled at female Canadian authors such as Carol Shields even decades later. Perhaps the most personal section of the biography is the final chapter entitled, “Her Reader.” In it, Urquhart describes an 11-year-old girl’s discovery of Anne Shirley in the 1920s, an experience that provokes the desire to write herself. That young girl, Marian, grew up to be Jane Urquhart’s mother, and it was Marian’s own copy of Montgomery’s first novel that Urquhart read as a child, inspiring one of her very first literary efforts.

This example of juvenilia and others can be found in fonds within the Literary Archives Collection. To browse the collection, visit LAC’s website.


Sara Viinalas-Smith is a literary archivist (English language) in the Social Life and Culture Private Archives Division of Library and Archives Canada.

“Hostilities will cease at 1100 hours on Nov. 11th. Troops will stand fast on the line reached at that hour which will be reported to Corps H.Q.”

Canadian Expeditionary Force (CEF) units maintained a daily account of their actions in the field, known as a War Diary. Using their diary, you can now follow in the footsteps of the 1st Canadian Division –throughout November 1918, including the day they received the ceasefire message by wire.

You can transcribe, tag and translate the words of the War Diary that documented the 1st Canadian Division’s story. With each page transcribed, Canada’s history becomes more accessible and easier to discover.


Want to see more War Diaries? There are hundreds for you to explore. Read our detailed instructions on how to search for CEF War Diaries.

If you find a War Diary image that you would like to contribute to, copy the MIKAN reference number, open our new Collection Search (Beta) and paste the number into the search field. Click the Search button. From the results page, click on an image to open it. Below the viewer, click the button called “Enable this image for Co-Lab contributions” and you will be transcribing, tagging and translating in no time!

Using the Railway index to access railway plans and profiles

By Rebecca Murray

Earlier this year I was working on a request for a researcher that involved spending some quality time with accession RG12M 77803/17 “Railway index,” a set of 30,000 index cards that provide detailed, item-level listings for railway plans and profiles from across Canada, dating from 1866 through 1937. Although I am used to working with accessions of cartographic material and their finding aids on a regular basis, this particular one was a challenge. It provides a great example of how difficult it can be to organize and understand extensive sets of records such as these.

Why might you even venture into this type of research, then? Why not rely on published sources? I am a huge advocate for the use of and reliance on primary sources for research. You can consult the original document and draw your own conclusions, both from the document itself and from its arrangement among the other records. Perhaps the plan you are looking for demonstrates a particular moment in time not usually shown in secondary sources. Or perhaps you’re investigating the evolution of a particular section of railway. No matter the reason, it’s time to get your hands into some white gloves and get into the archives!

Step 1

The first step is to review the index cards that are available on digitized microfilm. The index cards are arranged alphabetically by both railway company and location.

When you identify plans of interest, please note the plan number. For example, if I were interested in the “Plan & profile showing the approach of the Bridge in the city of Montreal P.Q. as located,” as listed on the index card below, I would note plan number 7457.

A ruled index card with black text.

An excerpt from the alphabetical index by railway company taken from RG12 reel C-6823

 

Step 2

When you are working onsite at 395 Wellington Street in Ottawa, Ontario, you can consult a set of paper index cards in our Reference Room. Once you have identified the plan numbers for items you wish to consult or copy, you can use an additional set of index cards, found with the other map and plan finding aids and organized by plan number, to identify the Library and Archives Canada (LAC) item number for each. A team member in the Reference Room can assist you with both steps as required.

Colour photograph of metal drawers of index cards for accession RG12M 77803/17.

Photograph of RG12M 77803/17 Railway index card drawers in the annex to the Reference Room.

Colour photograph of index card drawer with card for plan 7457 sticking up.

Photograph of index card drawer showing card for plan 7457.

Colour photograph of index card with the item number circled in red.

Photograph of index card with complete reference information (item numbers) for plan 7457.

Step 3

If you are not on site, you can write to us using our online form and request assistance in completing the references for each item. For example, you could cite RG12M 77803/17, plan 7457, and ask for the item number in order to complete the reference. One of our team members can check the index cards to confirm the item number and then determine the container barcode to facilitate your consultation or reproduction request.

Many of these items are also available on microfiche, which helps with consultation. If you are on site, you can head straight up to the Microform Consultation Room on the 3rd floor and ask for assistance from LAC staff (during service hours) or take advantage of the self-service microfiche drawer labelled RG12M 77803/17. Don’t forget to wear gloves!

Did you know that the Microform Consultation Room has new flatbed scanners that provide high quality self-service copies of microfiche? Bring your USB key so that you can bring copies home with you.

These types of finding aids can be daunting to work with as they require collecting information along the way rather than simply finding all relevant information within one line of text. This represents a good challenge for the seasoned researcher (or archivist!) and a steep learning curve for new researchers. Please do not hesitate to reach out to our team for help with this or other types of requests. We are here to help you navigate LAC’s holdings, and we thrive on learning new things every day!


Rebecca Murray is an archivist in the Reference Services Division at Library and Archives Canada.

Images of Restaurants now on Flickr

A black-and-white photograph of the exterior of a restaurant located on a dirt road in a remote area.

Restaurant at Entrance, Alberta [PA-100223]

The growth of restaurants correlates with the growth of cities. As trade routes expanded in ancient China and the Roman Empire, travelling merchants stopped at public eateries, such as inns, for rest and nourishment as they brought their merchandise to cities from the surrounding areas. Within a growing city’s confines, taverns and inns became the principal location for people to find simple local food, drink and shelter.

A black-and-white photograph of a woman carrying a tray with a teapot and cups on it as she exits a restaurant kitchen.

A server at Diana Sweets carries a tray with a teapot and cups out of the kitchen, Toronto, Ontario [PA-068091]

A black-and-white stereoscopic photograph of dozens of waiters standing at two rows of tables with chandeliers overhead, inside the Windsor Hotel, Montreal, Quebec.

Dozens of waiters standing at two rows of tables with chandeliers overhead, Windsor Hotel, Montreal, Quebec [e011093681]

It was not until the mid-18th century in France that luxury and specialized restaurants opened for those who could afford them. These early restaurants offered a greater variety of meat, vegetable and drink options on their menus, prepared in ways that were more elaborate. Other countries followed suit, and restaurant culture flourished throughout Europe and beyond.

A black-and-white photograph of the exterior of Nick's Chicken Barbecue restaurant. A neon sign in the window advertises “Good Food” and “Beer & Wine”.

Nick’s Chicken Barbecue restaurant, Quebec City, Quebec [PA-080674]

Restaurant options are plentiful in Canadian cities today, with cuisine from around the world offered at varying prices.

Visit the Flickr album now!

Sergeant Hugh Cairns, VC

By Ashley Dunk

In Library and Archives Canada’s Victoria Cross blog series, we profile Canada’s Victoria Cross recipients on the 100th anniversary of the day they performed heroically in battle, for which they were awarded the Victoria Cross. Today, we remember the last Canadian soldier of the First World War to receive the Victoria Cross, Sergeant Hugh Cairns, for his bravery at Valenciennes, France.

A black-and-white photograph of a seated soldier in uniform.

Sergeant Hugh Cairns, VC, undated (a006735)

Born in Ashington, Newcastle upon Tyne, England, on December 4, 1896, Hugh Cairns and his family immigrated to Canada and settled in Saskatoon, Saskatchewan. Cairns was a plumber before the war. Hugh and his older brother Albert Cairns both enlisted on August 2, 1915 and August 11, 1915, respectively, in Saskatoon. They both joined the 65th Battalion of the Canadian Expeditionary Force (CEF), which was absorbed into the 46th Battalion on June 30, 1916 On September 10, 1918, Albert died of head wounds caused by a shell.

Hugh Cairns served in France, proving his determination and resilience as a soldier on several occasions. He was awarded the Distinguished Conduct Medal on August 25, 1917 as a private. He was promoted to corporal in the summer of 1918, then to sergeant three months later.

A black-and-white photograph of a uniformed soldier, facing away from the camera and standing in the middle of the bricks and rubble of a destroyed building. A cart with a large wheel is on the left.

A Canadian post in Valenciennes, November 1918 (a003355)

Through October and into November 1918, the Canadians continued their assault on the German lines. Despite German efforts to stubbornly defend their retreating lines, the Allies’ persistent offensives resulted in heavy German losses, the capture of thousands of prisoners, as well as dozens of kilometres in ground gained. By November 1, 1918, the Germans were clinging to the city of Valenciennes and maintaining their stronghold near Marly.

The push into Valenciennes from the 46th Battalion’s “A” Company included an assault on a two-platoon frontage with one support platoon. Cairns was leading the support wave platoon. The Canadian barrage opened at 5:15 a.m. and the platoons began to move toward their objectives. After advancing about 500 yards, they were met with heavy machine gun fire from their left. The platoons pushed on, squashing the resistance from the German machine guns, capturing prisoners and weapons along the way.

A black-and-white photograph of abandoned buildings, crumbling and filled with holes. The ground is covered in debris, mud, and rocks. Four soldiers are walking away from the camera, having crossed an expanse on a bridge made of debris.

Canadians entering Valenciennes over an improvised bridge, November, 1918 (a003376)

As the advance inched along, the Company was held up by very heavy machine gun fire. Under a spray of bullets, Cairns and other soldiers moved to outflank the gun. Crawling on their hands and knees, under cover from friendly rapid machine gun fire, the party succeeded in closing in on the battery. They seized 3 field guns, a trench mortar, 7 machine guns, and over 50 prisoners. Cairns went on to lead his men to capture the railway and establish a post.

As Cairns was heading off to examine a nearby factory, a German soldier opened direct fire on him with an automatic rifle from a nearby post. Cairns, wielding a Lewis gun, made a run for the post of German soldiers, and fired. He killed and wounded many German soldiers in his assault as they ran for a nearby courtyard.

A black-and-white photograph of an ornate railway station in the background, crumpled and heaving, with broken windows and missing walls. The ground is cut diagonally with railway tracks, flooded with water, and littered with debris, planks of wood, and assorted rubble.

The flooded railway station at Valenciennes, November, 1918 (a003452)

Later, Cairns and another soldier were patrolling the city when they entered a courtyard and found 50 German soldiers. While in the process of taking them prisoner and confiscating their weapons, a German officer grabbed for his pistol and shot Cairns through the stomach. In retaliation, Cairns opened fire, killing or wounding about 30 German soldiers. The would-be German prisoners, realizing they needed to fight for their lives, descended upon Cairns and opened fire. Cairns was shot through the wrist, but continued to fire his Lewis gun at the enemy. He was again shot through the hand, nearly taking it off, and breaking his Lewis gun. Cairns threw the useless gun in the face of a German soldier who was firing at him, knocking him over. With his remaining strength, Cairns staggered to a gateway and collapsed, where he was carried off by his comrades.

A black-and-white photograph of a group of people standing in front of a building with an open door. Women wearing wide white hats are shaking the hands of soldiers in uniforms. On both ends of the photograph, groups of civilian men and women are smiling into the camera. Someone in the back of the group is holding the French flag.

French nuns and civilians in Valenciennes greet the first Canadians entering the town, November, 1918 (a003578)

Cairns’ heroic maneuvers and self-sacrifice are detailed in the 46th Battalion’s war diaries for November 1918 (pp. 21, 22, 23), where he is mentioned by name throughout the whole account. He is one of several names given special recognition for his actions in Valenciennes. His efforts and bravery helped his company achieve their objectives. By the end of the day, the Canadian Corps captured approximately 1,800 German soldiers and killed more than 800 men. The Canadian losses including Cairns were 80 killed, and approximately 300 wounded.

A black-and-white photograph of a woman in a white blouse with her arms around a soldier in uniform, kissing his cheek.

French civilian woman kissing a Canadian soldier after the Canadians cleared the Germans out of Valenciennes, November 1918 (a003451)

Cairns died of his wounds on November 2, 1918 and was awarded the Victoria Cross posthumously.

Cairns is buried at Auberchicourt British Cemetery in Nord, France.

Several dedications have been made in his memory, honouring his gallantry. The town of Valenciennes renamed one of its main streets to Avenue du Sergent Cairns. His parents travelled to France to attend the civic ceremony held on July 25, 1936. Back in Canada, an elementary school is named after him, Hugh Cairns V. C. School, in Saskatoon, Saskatchewan. The 38 Combat Engineer Regiment armoury in Saskatoon bears his name, Sgt. Hugh Cairns VC Armoury.

His Victoria Cross is on display at the Canadian War Museum in Ottawa, Ontario.

Library and Archives Canada holds the digitized service file of Sergeant Hugh Cairns.


Ashley Dunk is a project assistant in the Online Content Division of the Public Services Branch of Library and Archives Canada.

Canada’s zombie army

By Andrew Horrall

In the early morning of October 24, 1944, one week before Halloween, Prime Minister Mackenzie King dreamed about close friends. King—who was fascinated by spiritualism—felt that his dream signified “the presence of relations interested in matters pertaining to myself, and wishing to let their presence be known” (WLMK diary, October 24, 1944, p. 1). During that day, King noticed further signs of otherworldly guidance, as he tried to resolve an issue that was splitting his government and the country.

At the start of the Second World War in 1939, King had promised not to introduce conscription, but now Canada’s army in Europe desperately needed reinforcements. King spent the afternoon chairing a heated discussion in Cabinet about whether to force young men into the military. He was especially annoyed when Thomas Crerar, the Minister of Mines and Resources, insisted that “Zombies ought to be sent overseas” to help end the war (WLMK diary, October 24, 1944, p. 8).

A colour poster of a smiling soldier with the caption: Come On, pal ... ENLIST!

“Come On, pal … ENLIST!” recruiting poster, ca. 1942 (c087427k)

Modern readers might ask themselves, did the government debate sending one-time humans, transformed by infection into cannibalistic undead monsters, into battle? The answer is no. The Cabinet discussion reflected how wartime tensions had transformed the relatively uncommon term “zombie” into a popular Canadian colloquial expression.

Zombies appear in many contemporary movies, comics, books and television programs; however, in the 1940s, zombies were much more obscure and still firmly rooted in Haitian folklore as mindless, mute automatons raised from the dead to perform manual tasks. Most North Americans first heard about zombies in a bestselling 1929 book, The Magic Island, whose author claimed to have met actual zombies in Haiti. Hollywood adapted the book three years later into the first zombie movie: White Zombie. Bartenders also began mixing the “zombie,” a potent rum cocktail whose stupefying effects put people in mind of the addled creature.

The story of zombies in the Canadian army is more complicated. At the start of the war in September 1939, King pledged that he would not introduce conscription for overseas military service. The issue had split the country in 1917, and it threatened to do so once again. Volunteers were instead asked whether they agreed to fight overseas. In 1940, the National Resources Mobilization Act gave the government the power to conscript men, but only for service within Canada. Individuals still had to declare their willingness to become General Service, or “GS” men. Tensions between the two groups—the GS men and those who refused to serve overseas—soon became apparent at basic training stations throughout Canada. GS men derided those who had elected to serve in Canada as “Maple Leaf Wonders” for not accepting dangerous front-line posts. After completing their training, many GS men proceeded overseas, while those who remained at home undertook administrative
tasks and guarded Canada’s coasts.

A colour photograph of three men climbing over a wooden fence clad in helmets, short-sleeved shirts, shorts, and socks and boots, and carrying rifles.

Troops in basic training, Lansdowne Park, Ottawa (e010778708)

Ongoing political, social and military tensions about conscription resulted in a national plebiscite in April 1942, in which English Canadians voted to give the government the power to force men to fight, while French Canadians opposed the idea in equal numbers. The deep divisions were apparent to King, who tried to chart a middle ground under the slogan “conscription if necessary, but not necessarily conscription.”

A black-and-white photograph of a man standing at a lectern that is wrapped in the Union Jack, in front of a large audience of workers. Policemen are in the first row.

James S. Duncan, President and General Manager of the Massey-Harris Company, urging workers to vote in favour of conscription in the forthcoming national plebiscite, 1942 (a164429)

By early 1943, men who refused to fight overseas were being ridiculed as “zombies” by GS men, women in uniform and the public at large. It is not clear when the insult was first used to depict these men as cowardly, passive and unable to think for themselves. The image was reinforced by English-Canadian newspapers and magazines, which reported on how zombies were the target of jokes and were linked to supposedly subversive elements in Canadian society, and how women refused to date zombies. A photograph in the Toronto Star in January 1943, showing a group of shipyard workers who had painted zombie faces on their welding masks, suggests that some men were proud of their decision not to fight and embraced the supposedly degrading term (“Shots behind scenes in Canada’s war factories,” Toronto Star [January 13, 1943], p. 17).

The idea of zombies was seared into the Canadian imagination in July 1943 by reports about a riot at a Calgary military base. Fighting broke out there after GS men taunted those who refused to serve overseas with “Salute to a Zombie,” a song that appears to have been commonly heard across Canada. The copy sent to Colonel J.L. Ralston, the Minister of National Defence, who strongly advocated sending zombies overseas, is preserved at Library and Archives Canada.

A typed poem with a rubber stamp marking on the side and some handwritten text on the bottom.

“Salute to a Zombie,” RG24, vol. 2197, file HQ 54-27-63-38

By the time King chaired the Cabinet meeting a week before Halloween in 1944, he faced intense pressure from ministers, military commanders and large sections of the public to send zombies into combat, because Canadian army casualties could no longer be replaced by volunteers alone. King resisted until November, when he decided to compel some 17,000 zombies to go overseas, causing a wave of desertions and a short-lived mutiny in British Columbia. In the end, about 2,500 zombies fought in Europe, where 69 of these soldiers died.

A generation of Canadians, mostly in English Canada, associated zombies with bitter social divisions caused by the Second World War. The term’s modern meaning and the creature’s prominent status in popular culture dates to the release of the 1968 film Night of the Living Dead.


Andrew Horrall is a senior archivist in the Private Archives Division at Library and Archives Canada.

King’s and Queen’s Counsel appointments in Canada

By Rebecca Murray

“A [Queen’s Counsel] appointment is a mark of recognition to honour lawyers who demonstrate exemplary service to Canadian society through their dedication to the law and to Canada’s justice system.” (Minister’s Transition Book, Department of Justice) Among members of the Bar itself, getting the designation is sometimes referred to in English as “taking silk.” This is because when you get the designation you become entitled to wear silk robes that are also cut differently from the plain black cotton robes. Appointments at the federal level are now restricted to federal public servants, but in the pre-Confederation era, appointments were granted through letters patent, now found in the sous-fonds of the Registrar General (RG68) held at Library and Archives Canada.

To identify these appointments via letters patent, follow these steps:

Step 1

Find the General Index for the period. For the pre-Confederation era, look at one of the following two indices:

Step 2

Next, find the entry in the alphabetical table of contents:

Step 3

Go to the corresponding page in the General Index. For example, you will find the index to appointments for pre-1841 records for both Upper and Lower Canada on pages 539 and 540. The post-1841 indices are on pages 316–318 for Lower Canada, and pages 318–320 for Upper Canada.

Step 4

Looking at page 540 of RG68 volumes 894 and 895, “General Index,” C-2883, as an example, we can read the list of names and select those of interest. Let’s take Alexander Buchanan as our example. The letters patent granting his King’s Counsel (KC) designation were issued on June 19, 1835, and can be found in liber 14 on page (folio) 279.

A black-and-white page of handwritten text in a ruled notebook.

Excerpt from page 540 of the General Index for pre-1841 records, specifically for King’s and Queen’s Counsel appointments.

Step 5

To find the specific liber within the record group (RG68), use Collection Search and follow the model below. The first and second screenshots below show the search screen and terms used while the third shows the item level result.

A colour screenshot of search results with the page title “Collection Search (Beta)”.

A screenshot showing the search terms and first results page in the Collection Search (Beta) function.

A colour screenshot of search results with the page title “Collection Search (Beta)”.

A screenshot showing filtered results by date.

A colour screenshot of data with the page title “Collections and Fonds – 1336219”.

A screenshot showing the item level result.

Step 6

From the results page, we see that the document is available on microfilm, and in this specific case, it is available on digitized microfilm.

We can then navigate through the reel until we find the relevant document and page.

A black-and-white page of handwritten text in a ruled notebook.

An excerpt of the text of the commission appointing Alexander Buchanan Esquire, King’s Counsel, in RG68 volume 110, file 14, page 279, found at image 514 of digitized microfilm reel C-3926.

When Alexander Buchanan received the designation “KC” in 1835, Canada was just years away from the arrival of Queen Victoria to the British throne. This means that if he had still been practicing law in good standing at the time of her coronation, Buchanan would have changed the “KC” designation to “QC”, to reflect the female monarch. Similarly, current QCs in Canada will change their designation to “KC” upon the coronation of a king.

Library and Archives Canada also holds the private fonds of numerous King’s and Queen’s Counsel appointees, such as the Ramon J. Hnatyshyn fonds (R10945) and the John Duggan fonds (MG29-E88). Here is a challenge for readers:

If you are interested in the history of King’s and Queen’s Counsel appointments in Canada, pre- and post-Confederation, I encourage you to review our holdings for related records and to do research to find out more about how the appointment is awarded in your home province or territory today.


Rebecca Murray is an archivist in the Reference Services Division at Library and Archives Canada.

Images of the Steel Industry now on Flickr

A black-and-white photograph of workers supervising the pouring of molten steel into moulds.

Workers supervise the pouring of molten steel at the Atlas Steel Company, Welland, Ontario [e000760732]

Steel is an alloy mainly of iron ore with some carbon. Its production is a major industry in Canada, currently concentrated in the provinces of Ontario and Quebec.

A black-and-white photograph of three women railroad workers wearing heavy work clothing and gloves while posing with their shovels.

Portrait of three railroad workers posing with their shovels, Stelco Steel Company of Canada, Hamilton, Ontario [e000762848]

A black-and-white photograph of a worker standing beside a furnace directing the pouring of molten steel into a ladle.

Worker stands beside a furnace directing the pouring of molten steel into a ladle, Stelco Steel Company of Canada, Hamilton, Ontario [e000760223]

Steel is a versatile material and is used to make a variety of products, such as barrels, fasteners, structures, home appliances, vehicle parts and even food containers. Like aluminum, steel is easily recycled for reuse. Many of Canada’s steel plants make steel from scrap.

A black-and-white photograph of a worker holding a pyrometer over his eyes to measure the temperature of molten steel.

Worker uses a pyrometer to measure the temperature of molten steel at the Sorel Steel plant, Quebec [e000760214]

Semi-finished steel blooms, slabs or billets are processed into shapes by rolling or forging for commercial and industrial products. Steel was first manufactured in Canada in the 1880s. By the early 1900s, manufacturing centres were established in Hamilton and Sault Ste. Marie, Ontario, and Sydney, Nova Scotia. Production of steel increased during the Second World War and rapidly expanded during the postwar period.

Visit the Flickr album now!

The George Ayoub fonds – a passion for ships

By Kelly Anne Griffin

Many people enjoy birdwatching, trainspotting or stargazing, but George Ayoub loved observing ships. Ship watching and nautical history fascinate many Canadians. This is no wonder, since our country has over 200,000 kilometres of coastline and almost 800,000 kilometres of freshwater shores.

George Ayoub was born in 1916 in Sault Ste. Marie, Ontario. In 1930, he became a sailor at age 14, with a lifelong passion for ships and maritime history. His collection, held at Library and Archives Canada, gives us a glimpse into the nautical past and the waterways that helped shape our nation and build our economy. The fonds includes over 20,000 of his photographs taken between 1940 and 1990 at various locations along our seaways, most notably the St. Lawrence Seaway, the Great Lakes, the Ottawa River and the Rideau Canal. The vast collection of images provides fascinating insight into the history of shipping as well as the use of leisure craft. The fonds also includes textual material that complements the photographs and that records not only the history of the shipping industry but also individual ships that sailed the waters.

St. Lawrence Seaway

The St. Lawrence Seaway, opened in 1959, transformed the shipping industry by opening the Great Lakes to ocean-going traffic. When the seaway opened, George Ayoub started to compile an important collection of records on the backgrounds of the different vessels that came to the Great Lakes and the St. Lawrence Seaway during the 20th century. He also photographed many of these himself. Today, the St. Lawrence Seaway is one of the great ship canals of the world, carrying freight between the heart of North America and the rest of the world. The George Ayoub fonds contains numerous images that reflect the variety of vessels that travelled the seaway.

A black-and-white photograph of a moored tugboat. The crew is on the deck.

Jean-T on the St. Lawrence Seaway, Iroquois, Ontario, September 28, 1975. Credit: George Ayoub/Library and Archives Canada/George Ayoub fonds/e011213397. Copyright: Copyright assigned to Library and Archives Canada by copyright owner the Estate of George Ayoub

A black-and-white photograph of a large ship passing through the canal.

Kingdoc on the St. Lawrence Seaway, Iroquois, Ontario, September 5, 1965. Credit: George Ayoub/Library and Archives Canada/George Ayoub fonds/e011213399. Copyright: Copyright assigned to Library and Archives Canada by copyright owner the Estate of George Ayoub.

Rideau Canal and Ottawa River

Officially opened in 1832, the Rideau Canal is the oldest continuously operated canal system in North America. The War of 1812 made clear the need to have a navigable waterway connecting Lake Ontario to the Ottawa River, because traffic on the St. Lawrence River was vulnerable to attack. The huge undertaking provided a secure supply route from Montréal to Kingston that avoided the St. Lawrence.

The Rideau Canal locks provide wonderful boat-watching opportunities. Around many locks, onlookers often watch in fascination as the locks move the vessels along. The George Ayoub fonds includes many excellent photos, taken over the years, of boats passing through the locks.

A black-and-white photograph of a moored leisure vessel on a canal beside a large building.

Korab in front of the National Arts Centre, Rideau Canal, Ottawa, June 14, 1971. Credit: George Ayoub/Library and Archives Canada/George Ayoub fonds/e011213400. Copyright: Copyright assigned to Library and Archives Canada by copyright owner the Estate of George Ayoub

A black-and-white photograph of a small moored fire boat in a wooded stretch of waterway

St. John’s Fire Boat (Gatineau Boom Company) at a dock near Hull, Quebec, November 19, 1967. Credit: George Ayoub/Library and Archives Canada/George Ayoub fonds/e011213403. Copyright: Copyright assigned to Library and Archives Canada by copyright owner the Estate of George Ayoub.

A black-and-white photograph of a tugboat towing a sailboat across the water.

Sailing yacht Wild Harp pulled by tugboat TANAC V-222, September 10, 1972. Credit: George Ayoub/Library and Archives Canada/George Ayoub fonds/e011213404. Copyright: Copyright assigned to Library and Archives Canada by copyright owner the Estate of George Ayoub.

A black-and-white photograph of a medium-sized boat in the process of crossing a system of locks.

Templeton in the Rideau Locks, Ottawa, April 17, 1964. Credit: George Ayoub/Library and Archives Canada/George Ayoub fonds/e011213405. Copyright: Copyright assigned to Library and Archives Canada by copyright owner the Estate of George Ayoub.

Canada’s affinity with water is shaped by our vast and beautiful shorelines. Ship watching continues to be a major tourist attraction for many communities along waterways. From busy shipping routes to quiet, peaceful lakes, Canadian waterways truly help us live up to our motto, “a mari usque ad mare”: “from sea to sea.”

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Kelly Anne Griffin is an archival assistant in the Science and Governance Private Archives Division of the Archives Branch at Library and Archives Canada.

From the Lowy Room: Rebecca’s Bible

By Michael Kent

One of my favorite things about working with rare books is that these books have a potential to connect me with history in ways that extend beyond their written content. One such example of this potential is the 1786 Book of Leviticus published by Lion Soesmans. What makes the copy now located in the Jacob M. Lowy collection special is that it contains the signature of one of its former owners, Rebecca Gratz (1781–1869).

A colour photograph of the frontispage of a Bible showing the third book of Moses.

Rebecca’s Bible (AMICUS 45161685)

While you may not have heard of Gratz, you quite likely have heard of a far more famous fictional Rebecca: Rebecca of York, the heroine of Walter Scott’s 1819 novel Ivanhoe. A work of historical fiction, this novel helped spur the popular images of Robin Hood, Friar Tuck, King Richard and Prince John. This Rebecca is a dark-haired beauty, a healer, and the central female character of the novel. Desired by men, kidnapped, tried for witchcraft, and ultimately fleeing England, Rebecca of York is an empowering fictional Jewish woman.

While the inspiration for Scott’s Rebecca is debated among scholars, many point to Gratz as the origin. As legend has it, Scott heard about Gratz while visiting his friend, writer Washington Irving, at his home in Abbotsford, Scotland, during 1817. Irving was reported to have had great admiration for Gratz, and he imparted these sentiments to Scott.

While the fictional Rebecca is no doubt an inspirational character, the real life Rebecca is far more impressive. Born in 1781 in Lancaster, Pennsylvania, her family would move to Philadelphia during her childhood. In Philadelphia her family would become prominent in the Jewish community and in wider society.

From a young age, Rebecca would become a leader in philanthropy and community work. At 20, she helped found the Female Association for the Relief of Women and Children in Reduced Circumstances, a non-sectarian charity aiming to help poor families. One of her next major initiatives to help the poor came in 1815 when she helped establish the Philadelphia Orphan Asylum.

A black-and-white painting of a young woman dressed in fashionable clothes of the period.

Rebecca Gratz portrait by Thomas Sully. Courtesy of The Jacob Rader Marcus Center of the American Jewish Archives.

Gratz was also heavily involved with Jewish charitable organizations. In 1819, she helped organize the Female Hebrew Benevolent Society, which is presently the oldest continuously operating Jewish charitable organization in the United States. The goal of this organization was to provide assistance to Jewish woman in need. This organization functioned independently of any synagogue, but also sought to counter similar work by Christian organizations seeking to convert Jewish woman in need. Her quest to help the poor would continue in 1855, when she helped establish the Jewish Foster Home and Orphan Asylum. This organization would go on to become a model for foster care in the United States. She was also involved with United Hebrew Beneficent Fuel Society and the Hebrew Ladies’ Sewing Society.

Arguably, one of Gratz’s biggest accomplishments in the Jewish community was in the area of education. In 1838, she founded the Hebrew Sunday School Society with the sponsorship of the Female Hebrew Benevolent Society. Inspired by the Christian Sunday schools, her school offered a free Jewish education to any Jewish child in Philadelphia. This school also provided one of the first opportunities for Jewish education for female students in the United States. Gratz’s model for Jewish education is still alive and well today in Jewish supplementary schools across Canada and the United States.

Perhaps most impressive is that Gratz accomplished all this charitable work while raising her sister Rachel’s orphaned children.

Learning about all her accomplishments, it is not hard to understand why Rebecca Gratz has been compared to Mother Teresa.

Whether or not Gratz truly inspired Scott, these two inspirational women—one real and one fictional— share a deep commitment to community service. In Scott’s novel Ivanhoe, the fictional Rebecca expresses this sentiment before leaving England, referring to herself in the third person: “. . . since the time of Abraham downward, have been woman who have devoted their thoughts to Heaven, and their actions to works of kindness to men, tending the sick, feeding the hungry, and relieving the distressed. Among these will Rebecca be numbered.”

Being able to handle this historic Bible, I am humbled to think of its former owner and her truly remarkable legacy.

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Michael Kent is curator of the Jacob M. Lowy collection at Library and Archives Canada.