Thirty-four years after his death, Glenn Gould’s extensive catalogue of recordings, and the bold artistic vision behind them continue to resonate with music fans the world over. His irreverent interpretations of piano repertoire and perplexing idiosyncrasies have become the stuff of legend.
Seals are a central part of life and an essential source of locally-harvested food for Inuit peoples. Many traditions, customs, beliefs and oral histories revolve around the seal. Inuit peoples were and still are in an important and direct relationship with this animal. Inuit hunters have great respect for the spirit of the seal, an animal that is so heavily relied upon. Every single part of the seal is used, as the harvesting must be sustainable, humane and respectful. Most importantly, cold and harsh arctic climates demand that people have the right shelter and clothing to keep warm and dry, and seals help meet this need through their skins, fur and oil.
Inuit women developed highly skilled techniques in order to treat and use seal in various ways throughout the seasons. They scraped the skins clean of blubber with an ulu (a traditional, women’s knife with a crescent-shaped blade).
The Peter Winkworth Collection at Library and Archives Canada (LAC) is a nationally significant, rare and valuable art collection that documents more than four centuries of Canadian history. This comprehensive collection is a testament to Peter Winkworth’s commitment to preserving Canada’s early art forms and heritage.
Peter Winkworth inherited his love for collecting from his family. He had all the qualities and attributes necessary to make a great collector: knowledge, a keen eye, resources and a sustained passion. After a devastating accident that cost him his leg, Winkworth began studying Canadiana seriously and devoted the next 50 years of his life to building one of the largest private collections of Canadiana art. He passed away in 2005 at the age of 76.
In 2002, with the assistance of funds from the Government of Canada, the National Archives of Canada purchased more than 700 watercolours and drawings, more than 3,300 prints and nine paintings from Winkworth’s London-based collection. In 2008, LAC acquired a further 1,200 works of art from his collection, thus keeping the bulk of this irreplaceable treasure intact. These works of art are now preserved at LAC for future generations to discover.
Mining is one of Canada’s primary industries, involving the extraction and processing of valuable ores. The country produces a wide range of minerals, including gold, silver, aluminum and many more. The industry and its workers have played a critical role in Canada’s industrial and social development. Over time, the mining industry has experienced a variety of advancements, challenges and even opposition related to its environmental effects. However, Canada remains one of the world’s foremost mining countries, a leader in mining-related exploration, expertise and finance.
Sir Wilfrid Laurier had the largest unbroken term of office as Canada’s seventh prime minister. He was considered one of Canada’s greatest politicians, full of charisma, charm and passion, qualities that served him well in office, and also in his personal life. This passion is seen in many of the letters he wrote to his wife Zoé. But perhaps we gain a deeper insight into his character through his letters to Émilie Lavergne.
Canadian War Artists brings together the portraits of eighteen Canadian war artists who painted during the Second World War. These portraits, from the collections of Library and Archives Canada are accompanied by short biographies.
Craigellachie, British Columbia, located near Eagle Pass in the Rocky Mountains, is where Donald Smith, on November 7, 1885, drove the symbolic “last spike” in a ceremony marking the completion of the Canadian Pacific Railway (CPR). The CPR company was incorporated in 1881 to construct a transcontinental railway connecting British Columbia with the rest of Canada upon the province’s entry into Confederation. It was four years of dangerous work and controversies, with thousands of workers, including 15,000 temporary Chinese labourers, laying ties and rails, hammering spikes and exploding pathways through the mountains. The result of this hard labour was a country joined by transportation and enhanced communication—thanks to greater ease of mail delivery and telegraph lines that were built along the railway—and moving steadily into the twentieth century.
The Altona Haggadah, a colourful handwritten and hand-illuminated manuscript on paper, created in 1763, is one of the treasures of the Jacob M. Lowy Collection at Library and Archives Canada (LAC).
The Haggadah, which means “telling” in Hebrew, is an important text in the Jewish tradition that is used during the Passover Seder, a ceremonial meal held in Jewish homes to commemorate the Israelites’ liberation from Egypt. It is a compilation of biblical passages, prayers, hymns and rabbinic literature.
You can also find incunabula (books printed before 1500), Bibles, ancient Jewish manuscripts and about 80 other Haggadot (plural of Haggadah) in LAC’s collection.
The United Nations declared October 11 as the International Day of the Girl Child, which recognizes the challenges that girls face each day from discrimination and abuse around the world.
Canada continues to fight for girls’ rights to equality, freedom and education.
Paul-Émile Miot, a French naval officer and photographer, entered the Naval Academy in Paris in 1843 and spent the next 49 years sailing around the world on the high seas. He spent five of those years working in Newfoundland, visiting the east coast of North America on five separate hydrographic missions between 1857 and 1862. On his first trip, he captured 40 photographs related to the cod industry and took portraits of Mi’kmaq peoples, as well as views of rivers and forests. This series is the first photographic reporting of Newfoundland using an ethnographic perspective.
After his campaign in Newfoundland, he rose through the ranks and participated in several naval campaigns to different areas of the world, all the while taking photographs. He retired from active service in 1892 and was named Curator of the Musée de la marine et de l’ethnographie at the Louvre in 1894. He died in Paris in 1900.