What’s in a Name: the Carnegies in context

Version française

By Sali Lafrenie

“What a trip. It was as if I had been shot through a time tunnel from the fields of Willowdale to a field of dreams. The many threads of my life have all come together to produce a beautiful tapestry.”

Herb Carnegie, A Fly in a Pail of Milk: The Herb Carnegie Story (OCLC 1090850248)

Herb “Swivel Hips” Carnegie (1919–2012) was an exceptional athlete with multiple golf championships and an impressive career in hockey spanning over a decade. During his playing career, he travelled to numerous cities and played at the amateur and semi-professional levels for teams like the Toronto Observers, the Toronto Young Rangers, the Perron Flyers, the Timmins Buffalo Ankerites, the Shawinigan Cataractes, the Sherbrooke Randies (also known as the Saints), the Quebec Aces and, in his last season, the Owen Sound Mercurys. Carnegie had a decorated sports career, winning MVP for three straight years in the Quebec Senior Hockey League (QSHL) and playing on the first all-Black line in semi-pro hockey since the Colored Hockey League.

A black and white photograph of three Black hockey players standing in a line with their sticks on the ice.

A photo of the famous all-Black Line: Herb Carnegie, Ossie Carnegie, and Manny McIntyre. (Library and Archives Canada/e011897004)

After hanging up his skates, Carnegie became a successful businessman and the first Black Canadian financial advisor employed by Investors Group. He had a 32-year long career with Investors Group, and an award was established in 2003 in his honour: the Herbert H. Carnegie Community Service Award. Carnegie was more than just an example of business excellence; he was a community leader and an entrepreneur. He founded one of the first hockey schools in Canada, invented a hockey instructional board and devised a board game with the hope of helping people understand the sport and improve their hockey IQ. Further, Carnegie established the Future Aces Foundation and Philosophy alongside his wife and daughter, Audrey and Bernice. His impact can be seen in many places like the comic book features he received, the halls of fame he has been inducted into, the awards named after him, and the schools that adopted his Future Aces Creed (there is even a school named after him).

Two colour photographs of records related to Herb Carnegie. The first photograph is a paper with an intricate blue border surrounding text that consists of I-statements. The second photograph is a vertical green business card bearing an embossed “Investors Millionaire” logo with the name “Herbert H. Carnegie” printed in the middle, and the company’s contact information at the bottom.

Future Aces Creed and Investors Millionaire Card. (Library and Archives Canada/e011897005 and e011897007)

But what’s in a name?

 I’d disagree with Shakespeare, at least in this instance, and say that names do have power. They have histories, they have legacies, and they can act as maps. The Carnegie name does this for the world of sports, entrepreneurship, business, labour, and nursing.

Drawing attention for his skills and style of play, along with his race, there is even more we can learn from Herb Carnegie’s ice time if we stop to ask a few questions:

  • How does Herb’s experience in hockey reflect larger issues in Canadian society at the time?
  • If Black hockey players existed in 1895, why wasn’t the colour barrier in the NHL broken until 1958 by Willie O’Ree?
  • Whose shoulders are hockey players of colour standing on today?

While Herb Carnegie is often remembered for his exceptional hockey skills and for being the best Black hockey player to never play in the NHL, his impact off the ice has also been significant. He deserves to be remembered for all his contributions and for all the ways he and his family have worked for generations to make their communities better.

Pivoting to Herb Carnegie’s sister, we find Bernice Isobel Carnegie Redmon, the first Black public health nurse in Canada (1945) and the first Black woman appointed to the Victorian Order of Nurses in Canada (VON). We can learn more about the context of nursing and blackness in Canada by asking more questions:

  • How did Bernice Redmon become the first Black public health nurse in Canada in 1945?
  • What prevented Black women from entering the field before World War II?
  • When did the first Canadian nursing program start?

A quick search tells us that Bernice Redmon trained to become a nurse in the United States because Black women were prohibited from training as nurses in Canada until the mid-1940s, and that while the VON was established in 1897, the first Canadian nursing program opened  in 1919. However, Bernice Redmon was not alone for long, as Ruth Bailey, Gwen Barton, Colleen Campbell, Marian Overton, Frieda Parker Steele, Cecile Wright Lemon, Marisse Scott and Clotilda Douglas-Yakimchuk joined her in the following years. Despite the roadblocks and unofficial policies like quotas, the face of medicine and nursing began to change in the 1940s and 1950s. This year marks the 80th anniversary of Bernice Redmon’s achievement.

A black and white promotional poster of a white nurse’s hat and a black medical bag.

Victoria Order of Nurses poster. (Library and Archives Canada/e011897008)

Shifting to the next generation of Carnegies, we find Bernice Yvonne Carnegie, Herb’s daughter. She is the self-dubbed family historian and a leader in the hockey community, co-founding the Future Aces Foundation with her parents and establishing the Carnegie Initiative in 2021. Like her father, Bernice is working to support her community and to ensure that hockey is more inclusive. She has been giving back for over a decade through educational programming using the Future Aces Philosophy, academic grants, and her work as a public speaker. Moreover, she was a member of the BIPOC ownership group that purchased the Toronto Six hockey team.

In 2019, Bernice updated her father’s memoir, A Fly in A Pail of Milk, by sharing her own reflections on his life, lessons learned, and how she has continued the work he started. Once you read Herb Carnegie’s memoir and her reflections, it’s hard to stop there. I found myself diving into the family histories she maintains online, and I was struck by how deep the roots between her family and Canada run. I found myself asking questions again:

  • What jobs were available to Black men between 1900 and 1950?
  • What was the average salary at a mining company? What about for hockey players?
  • How do we define the Carnegie family’s multigenerational legacy?

Trailblazing is exciting, but it’s also important to remember that the individuals who broke through colour bars, de-segregated schools, and advocated for their inclusion are people too. In their extraordinary achievements, they face obstacles, racism and often trauma at the hands of the organizations they admire. Navigating predominantly white institutions is not easy; it has a cost. Being the first or one of few is challenging. It’s not often that we take the time to think about how history maps onto our lives and our families. Like the Carnegies, I know there are other families in Canada whose lives and family trees contain branches that blaze a trail through the national landscape. Without hesitation, I can think of families like the Nurses, the Grizzles, the Crowleys and the Newbys.

So, what’s in a name? A tapestry. A history. An archive.

Additional resources


Sali Lafrenie is an archivist in the Private Archives and Published Heritage Branch at Library and Archives Canada.

Reflecting on my path in photography

Version française

By Ellen Bond

Photos surround us every day. Whether its framed photos hanging on a wall, advertisements seen as you drive by, or folks taking selfies, images are everywhere. In honour of World Photography Day, I want to share how much photography means to me and how it has shaped my world.

Photography brings me joy. I remember my parents’ Polaroid camera and the excitement of seeing the photo magically appear after it slid out of the camera and the air exposed the image. Though the quality wasn’t as great compared to a film camera, the instant gratification was like today’s cell phone cameras—you could see what you captured right away.

A woman and four men posing for a photograph. Four of them are holding cameras of their own.

People showing various types of cameras, 1904. (a148285)

While finishing my photography diploma, I began taking pics for a community newspaper in Ottawa. This had me visiting local stores and events and interviewing and photographing locals for a regular feature. The summer between my first and second year, I shot thousands of photos in and around Ottawa. At the end of my last semester, our class took a field trip to Library and Archives Canada’s (LAC) Preservation Centre in Gatineau, and I knew I wanted to work there.

Woman holding a camera while posing for a picture leaning against a wooden cabin with a Shilly Shally sign.

Photographer Rosemary Gilliat Eaton holding a twin-lens camera. LAC holds many of Gilliat’s photos in its collection. Credit: Rosemary Gilliat Eaton. (e010950230)

In the summer of 2016, after graduating, my vision came true. I began working on LAC’s Canadian Expeditionary Force digitization project, during which time I helped digitize over 622,000 files relating to Canadians who served in the First World War. You can now search for those files by name using LAC’s Personnel Records of the First World War database. I used my skills to digitize a variety of files, maps, certificates, X-rays, pay forms, medical forms, attestation papers, personal correspondence, and too many files labelled “missing in action” or “killed in action.” I gradually learned more and more about LAC and applied for a job with their Online Content team.

When I started working with the Online Content team, I contributed to blog posts, the podcast, and finding photos for Flickr albums. I also began working on Project Naming and eventually became the project manager of this endeavour, which is rooted in sharing historical photographs of First Nation, Inuit and Metis Nation people whose names were not recorded when their photos were captured.

A photo used as part of Project Naming with text inviting the public to provide information about the person photographed.

A Haida woman holding up a Japanese glass net float, Skidegate, Haida Gwaii, British Columbia, ca. 1959. Thanks to Project Naming, the person in this photo was identified as Flossie Yelatzie, from Masset. Credit: Richard Harrington. (e011307893)

Participation in Project Naming helps improve the narrative of photographic records held at LAC. Photos are posted three times a week on Project Naming’s social media pages. When names or information are received, the records are updated, which helps preserve and honour the people in the photos for generations to come. As a way of saying thank you, we offer a high-resolution print of the photo at no charge to the people who shared the information. The best part of my job is adding someone’s name to the record database. That name becomes attached to the record, making it searchable forever.

Outside of LAC, I continue to hone my photography skills by working for local college athletic teams and theatres, a local newspaper, other athletic teams, and various Ottawa events. This past year, I photographed the Professional Women’s Hockey League (PWHL) for The Hockey News. This led to an opportunity to take photographs at the 2024 International Ice Hockey Federation (IIHF) Women’s World Championships, where Canada defeated the United States in the gold medal game. I hope to someday donate my hockey photos to LAC to document the first year of the PWHL, Canada’s gold-medal win, and this major step in women’s hockey.

Female hockey players celebrating their win on the ice with the crowd celebrating them in the background.

The moment after Canada defeated the United States for the gold medal at the 2024 IIHF Women’s World Hockey Championship. Photographer: Ellen Bond.

Female hockey players posing with their gold medals, championship banner and trophy on an ice rink.

Team Canada, 2024 IIHF Champions. Photographer: Ellen Bond.

I look forward to the future with my camera in hand!


Ellen Bond is a Project Manager with the Online Content team at Library and Archives Canada.

Ahead by a Century: remembering the Paris 1924 Olympics

Version française

By Sali Lafrenie

Picture it. Paris, 1924.

You’re at the Summer Olympic Games. And there are roughly 3,000 other athletes there with you.

What sport are you playing? Tennis? Maybe soccer? Basketball? Oh wait, is it aquatics? Athletics? No, boxing? Well, whatever it is, I bet you’re excited. You should be: Team Canada only sent 65 competitors, and this is the first time the Games are going to be broadcast live on the radio!

A black and white panoramic photograph of an outdoor stadium with hundreds of athletes.

General view of the Stadium of Colombes at the beginning of the 1924 Olympic Games (e011783298).

Considered to be the most successful of the Modern Games, the 1924 Summer Games in Paris looked very different from the Olympics that we know and love today. For starters, there were only 17 sports included in these Games. Five sports had been dropped from the previous iteration in 1920, with others included solely for demonstration or exhibition purposes.

Playing host for a third time, Paris 2024 will see Canada send 338 athletes to compete. The Games boast a whopping 32 sports, doubling the number of sports included at the 1924 Olympics.

In honour of the centenary, let’s dive into the 1924 Olympic Games!

1924 Winter Olympics

Did you know that when France bid to host the Summer Olympics in 1924, they accidentally started a new trend? That trend was the Winter Olympic Games.

The practice of hosting the Summer and Winter Games in the same year—sometimes in the same country—continued until 1992 when the International Olympic Committee decided to shift the Games to an alternating two-year schedule.

Before 1924, the Olympics only consisted of summer sports and did not have a winter sports equivalent. But there’s always a first. Hosted in Chamonix, France from January 25 to February 5, 1924, 260 athletes competed across 16 events. This means that 2024 is also the 100-year anniversary of the first Winter Olympic Games.

While Canada only sent 12 athletes to these Games—collectively earning a singular medal—there’s more to the story than that. The Chamonix Olympics was just the beginning for these athletes and the Canadian Winter Olympic Team, which had a roster of 215 athletes in 2022.

Charles “Charlie” Gorman, New Brunswicker and First World War Veteran, was one of these athletes. He made his Olympic debut in speed skating alongside the debut of the sport itself. Despite a disappointing finish in the 1924 Games, Gorman competed and won medals for Team Canada in numerous competitions, such as the American Championships, the Canadian Championships, and the World Championships.

A black and white photograph of a man speed skating and looking directly at the camera.

Photo of Charles Gorman speed skating (a050382).

Cecil Smith Hedstrom also made history at these Olympic Games when she became the first female Olympian to represent Canada. Competing in figure skating, Smith appeared in three Olympic Games and achieved many early feats to propel Canadian figure skating onto the world stage. For all these reasons and more, Smith was inducted into the Skate Canada Hall of Fame in 1991.

Earning the only medal for Team Canada at the Chamonix Games, the Toronto Granites Hockey Club won Canada’s first Winter Olympic gold medal. With this win, the Granites extended Canada’s Olympic ice hockey medal streak, initiated in 1920 by the Winnipeg Falcons who won gold in Antwerp. While ice hockey made its debut in the Antwerp Games, that was the first and last time the sport was included in the Summer Olympics. This means that Canada is the only country to have won a gold medal in ice hockey at both the Summer and the Winter Olympic Games.

A black and white photograph of a men’s hockey team standing on the ice holding hockey sticks.

Winnipeg Falcons, Olympic Champions (a049622).

1924 Summer Olympics

While all Olympic Games are important, the 1924 Summer Games had a special glow to it: live radio transmissions, the introduction of the Athlete’s Village, and the debut of the Olympic motto, “Faster, Higher, Stronger.”  The Modern Games ushered in a new era of international sports competitions that has only continued to expand in size and spectacle since 1924.

One of the greatest success stories of the 1924 Olympics comes from a group of athletes who technically were not a part of the Games: the Edmonton Grads. Although basketball was not officially included in the Olympics—men’s basketball would join in 1936 and women’s basketball would join in 1976—the Fédération sportive féminine internationale (FSFI) decided to hold their own matches alongside the Summer Games.

At home and abroad, the Grads were a difficult team to beat. They won approximately 95% of all the games they ever played and won the FSFI women’s basketball tournaments in 1924, 1928, and 1936.

Two black and white photographs of a group of female athletes. The first photograph has nine women standing in a line with one holding a basketball. The second photograph has nine women posing in two rows with a man standing in the middle of the back row.

Team photos of the Edmonton Grads in 1924 and 1936 (a050440) and (a050442).

Making his Olympic debut, Canadian hurdler Warren “Monty” Montabone soared onto the world stage in Paris 1924 and then again in Amsterdam 1928. In between Olympic appearances, Monty also set a Canadian record that stood for 58 years in the 110 m hurdles event. His athletic career can be traced beyond the Olympics all the way back to his time as a student athlete at Loyola and as an amateur athlete with the Montreal Amateur Athletic Association.

Another athlete who made his Olympic debut in 1924 is Victor Pickard, the pole vaulter and javelin thrower. Pickard represented Canada at two Olympic Games (1924 and 1928) and won a gold medal in pole vaulting at the British Empire Games in 1930. During his athletic career, Pickard’s highest jump at the Olympics was 3.45 m, but his personal best was 4.15 m. Today, the Canadian pole vault record stands at 6.00 m and the world pole vault record stands at 6.24 m.

Two black and white photographs of a male pole vaulter. The first shows a man jumping over a bar with a vaulting pole. The second shows a man holding a vaulting pole horizontally before beginning to run.

Victor Pickard at the 1924 Olympics (a151000) and (a151014).

While every Olympic Games is different, they always guarantee two things: excitement and excellence. Whether that’s through record-breaking performances, making a political statement or rallying around an athlete in need, the Olympics have got something for everyone. The Games have come to symbolize a lot more than just fair play, athleticism, and national identity. They’re a cultural moment. They bring people together in bars, in living rooms, and in schools. They’re history in the making and they’re just getting started.

Additional Resources


Sali Lafrenie is a Portfolio Archivist in the Private Archives Branch at Library and Archives Canada.

When Ugandan Asian refugees arrived in Canada in 1972

Version française

By Sheyfali Saujani

A black-and-white photograph of a large group of people standing in a big room, with luggage and suitcases on the floor, and a Canadian flag and a sign reading “Bienvenue, Welcome.”

Ugandan Asian refugees arrive at a Canadian Forces Base in Longue-Pointe, Quebec (e011052358)

In September 1972, Canada welcomed the first of some 7,500 Ugandan Asian refugees. At the time, people who had migrated from the Indian subcontinent were called Asian, rather than South Asian. This was the first large-scale influx of non-European immigrants to Canada following a series of changes to the country’s immigration policy that started in 1962. These changes eliminated racial barriers to entry. My family was lucky enough to be among those immigrants.

Both of my parents were born in Africa. My mother, Shanta Saujani, was born in Durban, South Africa, and that is where she went, to be with her mother, when she was pregnant with me, her first child, in 1964. My father, Rai Saujani, was born in Uganda, where his father had arrived sometime around 1914 (we are not completely certain about the date). Asians from around the British Empire migrated to its African colonies in much the same way that Europeans circulated through the colonies (including Canada), and for many of the same reasons: economic opportunity, adventure and change.

But the colonial world did not treat all of its subjects equally, and divisions established under imperial rule persisted, or even deepened, after independence. In South Africa, Asians (people from the Indian subcontinent) were racially segregated, as were Black Africans under the country’s notorious apartheid policy. People designated “white” could go anywhere and everywhere. Those designated “black,” “brown” or “coloured” were restricted in their freedom of movement, residence, education and work. Even though my mother and I were both born there, I was not allowed to become a citizen because my father was a citizen of Uganda.

In Uganda, racial divisions were not legislated, but cultural mingling was discouraged by separate schools and social services. Under colonial rule, it was harder for Black Africans to obtain business licences and other benefits that might have allowed them to compete with entrepreneurial Asians who controlled many key sectors of the economy. Asians thus became a relatively privileged middle class that some Africans resented. Although many Asians, like my father, acquired Ugandan citizenship in order to serve their country, many others, fearful of losing British status, chose to remain British subjects.

In 1971, General Idi Amin ousted Uganda’s government in a military coup. The following year, he declared that there was no longer room for Asians in Uganda, even if they were citizens. In August 1972, he ordered the expulsion of all of the country’s roughly 80,000 Asians and gave us 90 days to leave.

A black-and-white photograph of a group of children sitting together on the floor eating.

A group of children who had recently arrived in Canada (e011052361)

That was a frightening time for us. Although my brothers and I were too young to fully understand the political tensions, we soon realized how bad things could get when some of our relatives were jailed. There had been an argument of some sort in one of the many long lines to acquire government documents, and three of my uncles were arrested by the army. At the time, my father was a deputy superintendent in the Ugandan police force, and he was able to use his connections to get my uncles released. I remember vividly the red welts left on their backs by the terrible beatings they had received while in prison. They were free, but now the army officers who had arrested them were looking for my father. We spent our last few weeks in Uganda in hiding, desperate to find a country that would give us sanctuary.

Because of the refugee crisis caused by Amin’s expulsion order, Canada offered to immediately accept 5,000 (though more eventually came) people needing a new home. Canada also sent a special team of immigration agents to Uganda to help expedite the selection and processing of those who would come here.

A black-and-white photograph of a man in uniform looking at a piece of paper, a man in a dark shirt and a light coloured jacket holding documents, a boy, and a woman with her hair tied back in a ponytail.

A Canadian official and a Ugandan Asian family who had recently arrived in Canada (e011052346)

Those officials suggested that we might be able to enter Canada more quickly if we came as sponsored refugees. Family members reached out to an aunt living in Hamilton. She had moved from Tanzania to Canada with her husband and three daughters a few years earlier.

To qualify as a sponsor, you needed to prove that you had a certain level of income. My aunt’s family fell just short of that number. My aunt feared that they might not qualify as sponsors, but then a helpful immigration officer asked about the monthly mother’s allowance cheques that the government gave out back then. Those small cheques, which my aunt received to help support my three cousins, allowed them to clear the financial threshold needed to qualify as sponsors.

A black-and-white photograph of a man in a uniform serving food to a woman holding a small child.

Food being given to recently arrived Ugandan refugees (e011052348)

A black-and-white photograph of a woman in an apron and a hat handing a paper cup to a smiling man in a suit, as a woman in a scarf holds a cookie and a paper cup.

Recently arrived Ugandan refugees receiving drinks (e011052353)

The day we arrived in Canada was a day of exhaustion, relief and elation for us, much like it probably was for the people in these photos. It was September 28, 1972, a cold and clear fall day in the army barracks near Montréal where officials received the refugee families. My brother and I recall the unexpected chill, for which we were unprepared after coming from equatorial Africa. Luckily, immigration officials had arranged for us to have access to winter clothes. My brother remembers that it was the first time he saw the famous four Hudson’s Bay colours (green, red, yellow and indigo) on some of the coats. We both remember the amazing colours of the autumn leaves. But the best memory of all is my mother’s. She remembers that there were 11 black-and-white television sets scattered around the hall where our paperwork was being processed. Suddenly all of the officials, soldiers and cafeteria staff started jumping up and down, yelling and screaming, hugging each other and shouting for joy. What we did not know but soon learned was that it was the day of the final game of the famous Canada-Soviet Summit Series, and Paul Henderson had just scored the winning goal. And my mother thought: what an auspicious day for us to arrive! We are very grateful for the refuge that Canada gave us, and the opportunity to become citizens of a peaceful country that strives toward inclusion.

For more images of the arrival of Ugandan Asian refugees in Canada in 1972, visit the Library and Archives Canada Flickr Album.

©  Sheyfali Saujani


Sheyfali Saujani worked as a radio producer with CBC Radio for 30 years. She is a writer and producer living in Toronto.

 

 

Women’s hockey: She shoots, she scores!

Version française

By Ellen Bond

In January 2020, the Canadian men’s team won the gold medal against Russia at the 2020 International Ice Hockey Federation (IIHF) World Junior Championship. It was a hard-fought competition with millions watching from all over the world. This is any Canadian hockey player’s dream: winning gold at an international championship and hearing your national anthem at the end of the game. Meanwhile, only a few days earlier, Team Canada played against the United States of America (USA) in the 2020 IIHF Ice Hockey U18 Women’s World Championship with, by comparison, almost no one watching.

Unlike basketball, which has different sized balls, and volleyball, which has different net heights, hockey is the same game for men and women. Yes, women play “non-contact” hockey, but the ice surface is the same, the puck size and weight are the same, and the nets are of equal height, width and depth. Both men and women began playing hockey in its infancy (men in early 1870s and women in 1890s). This begs the question: Why did men’s hockey continue to grow and develop, while women’s hockey had a great start but then failed to gain the same attention?

A black and white photo taken outside with women in long skirts.

A group of women gather to play hockey in 1906, Ottawa, ON (PA-042256)

When I was young, all I wanted to do was play hockey. I remember watching my brother play with lots of other boys out on the ice. They would divide the ice up with long hoses across the blue lines to make up three smaller ice surfaces. I wanted to be out there, but girls were not allowed. That changed in the late 1970s when we moved to Campbellford, Ontario. One day in early fall, a man came to our door and asked my dad if he wanted to coach the girls’ hockey team. He said yes and, at the beginning of grade eight, I started playing organized hockey.

A sepia photo of a girls’ hockey team with Campbellford Minor Hockey written on their sweaters.

My championship team the first year I was allowed to play hockey. My dad is on the right and my brother is kneeling in front of him. I’m in the top row, third from the left. (Photo supplied by the author.)

This made me wonder: If women, like men, started to play hockey in the late 1800s, why wasn’t I allowed to play hockey prior to our move to Campbellford, when we had lived in a moderately large city?

A black and white photo of a woman dressed in a skirt to play hockey outside.

“Queen of the Ice.” A woman stands on ice wearing figure skates and holding a hockey stick, 1903. (C-3192610)

The Ontario Women’s Hockey Association (OWHA) claims the first women’s hockey game took place in 1891 in Ottawa, Ontario. At this time, the University of Toronto (U of T), Queen’s University and McGill University had women’s hockey teams, but they had to compete behind closed doors. Men couldn’t watch and the only men allowed inside were the referees. In 1914, the first women’s provincial championship took place in Picton, Ontario. There were six teams involved, including some of the university teams. In 1921, U of T defeated McGill to win the first Canadian women’s university championship. These teams and others helped the game grow steadily but unevenly in the 1920s and 1930s.

Then women’s hockey just stopped growing. Maybe it was because hockey was “too rough for girls,” as Clarence Campbell, President of the National Hockey League, argued in 1946. Maybe it was because communities prohibited people from watching women play hockey. Maybe it was because of beliefs that watching women play hockey was too frivolous or that women took the game too seriously. Or maybe, as Wayne Norton suggests in his book Women on Ice: The Early Years of Women’s Hockey in Western Canada, it was because in 1923 the Canadian Amateur Hockey Association (CAHA) voted NOT to give women official recognition as hockey players. In their book, Too Many Men on the Ice: Women’s Hockey in North America, Joanna Avery and Julie Stevens propose that Canada’s participation in the Second World War led to the decline of women’s hockey. Many women took on factory jobs when the majority of men went to fight in the war, leaving them little time to play the game. Whatever the reason, for decades it was hard for women to play a beloved game and this meant that many girls and women never had the opportunity to play hockey.

A black and white photo of a woman as a professional hockey player.

Miss Eva Ault. When men headed to Europe in the First World War, women got their first chance to play professional hockey. Eva Ault became a fan favourite, but when the war ended so did the careers of the first female pros. (PA-043029)

A black and white photo of a women’s hockey team lined up with the butt end of their sticks on the ground and dressed in their team uniform.

Women’s hockey team from Gore Bay on Manitoulin Island, Ontario, 1921. Names available in the record. (PA-074583)

I had the opportunity to play hockey from grades eight to thirteen, both in my community and at my high school in Peterborough, Ontario. I was also fortunate to have varsity teams to play on at McMaster and Queen’s universities. This was the closest I ever got to playing professional hockey. We were provided with equipment, ice time for practices and games, and transportation to all our games. At McMaster the entire budget for our team was less than the men’s team spent on sticks alone, but I had the chance to play varsity hockey for my university and to play with and against some of the best players in the world.

Two of those players were Margot (Verlaan) Page and Andria Hunter. Both of these athletes wore the Team Canada jersey at World Championships. I played with Margot for three years at McMaster. She was our captain and the best player out on the ice. At the time, this was the highest level of hockey Margot could play. She went on to play for Canada at the IIHF World Championships in 1987 (not sanctioned), 1990, 1992 and 1994. From 2000–2007 Margot coached Canada’s IIHF and Olympic women’s hockey teams. Margot is now Head Coach of the Brock Badgers Women’s Varsity Ice Hockey Team. Andria and I knew each other from living in Peterborough and because I was a counsellor at Camp Quin-Mo-Lac when she was a camper. Living in a small town, our paths crossed numerous times. I asked Andria what it was like when she first played hockey. Here is her story, in her own words.

I first started playing hockey in 1976. At that time, it was not very common for females to play. I was fortunate to play in Peterborough when girls’ hockey was just taking off. There were many small towns that had no female hockey at all at that time. I played in a boy’s house league my first year, but after that I was always able to play girls’ hockey.

When I was a kid, it was always my dream to play university hockey, because that was the highest level at the time; there was no national team, and certainly no World Championship or Olympics. I was very fortunate that some major changes in women’s hockey happened at an ideal time for me. I went on to play university hockey in the USA on a hockey scholarship; I was one of the first international female players to receive a women’s hockey scholarship in the USA. I also had the opportunity to play for Team Canada in 1992 and in 1994! I have always thought that if I had been born just five years earlier, I may have missed these amazing experiences.

I played at the University of Toronto as a graduate student between 1990 and 1996. During these years, the program went through a tumultuous period of transition. In 1990, our team kept our equipment in a small locker and our games were only three fifteen-minute periods with one flood. Then, during the 1993–94 season (when I was away from U of T playing hockey in Switzerland), the women’s hockey program was almost cancelled. There was a big rally that helped to keep the program alive. When I returned from Switzerland the next year to play for U of T again, women’s hockey had been upgraded to a high-performance sport. We now had two-hour practices four days a week, and no longer had to keep our equipment in a storage locker!

I played in the National Women’s Hockey League (NWHL) when it was in its infancy. We had an enthusiastic owner when I played for the Mississauga Ice Bears who arranged for us to play at the Hershey Centre [now the Paramount Centre] and we even had our own dressing room there. Unfortunately, we just did not get enough fans to allow us to play in such an expensive venue so, after two seasons, the team moved to Oakville.

Since my retirement from the NWHL in 2001, women’s hockey has continued to grow. It is certainly much more socially acceptable for females to play [now] than it was when I was a kid. The skill level has increased, as players get more development opportunities. The quality of the coaching, the level of competition, and the amount of ice time at the grassroots level, are certainly contributing factors. The number of teams at the university level in both Canada and the USA and the amount of resources for these players has continued to increase as well. It is unfortunate that women’s hockey still struggles to attract fans and that there are limited professional opportunities for women’s hockey players today. Fortunately, there are an increasing number of employment opportunities for women in coaching positions.

A black and white photo of a women’s hockey team. The women have team sweaters on and are holding their hockey sticks.

Team portrait of Queen’s University women’s hockey team, 1917. Some names are available in the record. (PA-127274)

Like Andria says, girls today have many opportunities to play hockey. Teams are available in many communities across Canada. Girls can aspire to play varsity hockey at many Canadian universities, to play in Division I of the National Collegiate Athletic Association (NCAA) in the United States, and to play in many European countries. They can dream about playing for their country at the Olympics and in the World Championships. Elite players from Canada and the USA played 3-on-3 games during the 2020 Honda NHL All-Star Weekend in St. Louis, Missouri, showing their skills to million of fans. As the game continues to grow, competition between countries will increase and maybe the NHL will offer a women’s professional league to play in. The future is bright for the young girls of today who yearn to play hockey. Margot, Andria and I gained many life lessons from playing hockey growing up and we are so excited for the girls of today and the opportunities that await them playing the great game of hockey.


Ellen Bond is a project assistant with the Online Content Team at Library and Archives Canada

Hockey and the First World War

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By Ellen Bond

In the early 1900s, playing hockey could lead to fighting for your country. The skills that made you a good hockey player—strength, endurance, patience, toughness—were desirable to the army. In its rough-and-tumble way, hockey was seen as a way to prepare yourself for war. The best soldiers were often hockey players and many players volunteered to fight in the First World War.

Allan McLean “Scotty” Davidson was one of those volunteers. Born on March 6, 1891, in Kingston, Ontario, Davidson began playing hockey with the Kingston Junior Frontenacs. As their captain, he helped the team win the Ontario Hockey Association Junior Championship in 1910 and 1911. The next year, Davidson moved to Calgary to play for the Calgary Athletics’ senior team. They won the Alberta Cup in 1911–1912 but lost their challenge to the Winnipeg Victorias for the Allan Cup (Canadian Senior Championship).

In 1912, Davidson started playing professionally for the Toronto Blueshirts (now Toronto Maple Leafs) in the National Hockey Association. Davidson was the team’s captain and leading goal scorer the next year and helped win Toronto’s first Stanley Cup in 1914. In his two seasons with the Blueshirts, Davidson scored 46 goals in 44 games. He could skate backwards faster than most players could skate forwards, according to Edward Allan, a hockey writer for the Toronto Mail and Empire newspaper.

Black-and-white photo of the Toronto Blueshirts in 1914.

Toronto Blueshirts, Stanley Cup Champions of 1914. Scotty Davidson is in the centre of the front row. Photo courtesy of the McCord Museum.

As a star hockey player, Davidson had all the skills the army was looking for. He may have been the first professional hockey player to enlist in the Canadian Expeditionary Forces (CEF), joining in September 1914. Scotty volunteered to be a “bomb thrower”, lobbing grenades at enemy troops. Some newspapers carried stories about Davidson in the army and described his bravery in the face of danger.

Scotty Davidson died in the field on June 16, 1915. His CEF service file states that Davidson “was killed instantly by a shell falling in the trench. He was practically blown to pieces.” A newspaper account of his death claimed that Davidson would have earned the Distinguished Conduct Medal or the Victoria Cross if he had survived the battle. Fellow soldier and Kingston resident, Captain George Richardson said Davidson was one of the bravest men in his company. He was fearless, willing and ready to save his comrades at every opportunity. Davidson’s name is memorialized on the Canadian National Vimy Memorial in France.

A page from the service file of Scotty Davidson describing how he was killed in action.

A page from Davidson’s digitized service file describes how he was killed in action. (Library and Archives Canada, CEF 280738)

Scotty Davidson sounds like the type of athlete I would have loved to watch play hockey. He was a smooth skater, a goal scorer and a leader. In 1925, Maclean’s magazine named Scotty the top right-winger in its all-star team of the best hockey players. An opposing coach, Ernie Hamilton, said about Scotty’s shot, “I never saw such hard shooting.” The roots of our freedom are founded on the lives of people such as Scotty. He was a glorious athlete whose life was cut far too short.

Scotty Davidson was inducted into the Hockey Hall of Fame in 1950. Scotty’s sacrifice is honoured by the Canadian Virtual War Memorial.


Ellen Bond is a project assistant with the Online Content Team at Library and Archives Canada.

Why would a team refuse the Stanley Cup?

By J. Andrew Ross

Last year, the National Hockey League (NHL) celebrated the 125th anniversary of the Stanley Cup. The celebration year was no doubt chosen because 2017 was also the NHL’s centennial year. However, even though 125 years earlier, on March 18, 1892, it had been announced that Governor General Frederick Arthur Stanley, 1st Baron Stanley, wished to donate a challenge cup for the hockey championship of the Dominion of Canada, that cup only arrived in Canada the following year. Further complicating matters, the team that was to receive the Stanley Cup actually refused it, and was only persuaded to take possession of the trophy in 1894.

Anniversaries aside, the story of how the Stanley Cup eventually became Canada’s holiest sports icon can be told through the collection of Library and Archives Canada.

By the time his cup arrived in Canada, Stanley had returned to England before the end of his term as governor general, having become the 16th Earl of Derby upon his brother’s death. Stanley appointed Ottawa Evening Journal publisher Philip Dansken (“P.D.”) Ross as one of two trustees of the trophy, and left it to him to fashion the rules of competition.

The entry in Ross’s diary for Sunday, April 23, 1893, notes that he sat down that day to draft the new rules, which were printed in his newspaper on May 1, 1893.

A grainy newspaper clipping of an article with the headline “‘The Stanley Cup.’ His Excellency’s gift to the hockey associations.”

Excerpt from “The Stanley Cup,Evening Journal (Ottawa), May 1, 1893, page 5 (AMICUS 7655475)

While the bowl had already been engraved as the “Dominion Hockey Challenge Cup,” Ross immediately asserted that it should be known as the Stanley Cup in honour of its donor. He confirmed that it would be presented in the first instance to the reigning champions of the elite hockey league of the era, the Amateur Hockey Association of Canada (AHAC), with the idea that they would then defend it against the champions of the Ontario Hockey Association. Ross arranged for the Stanley Cup to be presented to the Montreal Amateur Athletic Association (MAAA) team as the reigning champions of the AHAC, “until the championship of the [AHAC] … be decided next year [i.e., 1894], when the Cup shall go to the winning team.”

On May 15, 1893, Sheriff John Sweetland of Ottawa, the other Stanley Cup trustee, travelled to Montreal to present the trophy at the MAAA’s annual meeting. When he arrived with the Stanley Cup—at that time just a simple bowl on a wooden base—he learned that the executive officers of the hockey team had declined to attend the ceremony. The minutes of the meeting, which are in the MAAA fonds (and available online), note: “Sheriff Sweetland then made the presentation, which was accepted by Mr. Taylor [the MAAA president] owing to the unavoidable absence of Mr Stewart the President of the Mtl Hockey Club on behalf of the Assn and the abovenamed club.”

A handwritten note explaining who presented the Hockey Challenge Cup, and who accepted it and why.

Extract from the May 15, 1893, annual meeting, page 315, MAAA Minute-book, MG28 I 351, Library and Archives Canada.

It is not clear whether Sweetland realized that he and the Cup had been snubbed, but the hockey club’s absence had not been “unavoidable.” They had deliberately boycotted the event upon learning that the Cup was to be presented to the MAAA executive and not the team—and that the Cup had been engraved with “Montreal AAA/1893” on a ring around the wooden base of the bowl. The conflict was apparently rooted in the resentment of the hockey club members about being known by the name “MAAA,” rather than the Montreal Hockey Club (Montreal HC). It was a petty point of honour since the hockey club wore the MAAA emblem of the winged wheel on their uniforms, but one that clearly mattered to the proud hockey players.

A black-and-white photograph of a group of men standing, sitting on chairs or reclining. Most are wearing the team uniform and hockey skates.

MAAA 1890 (Montreal Hockey Club) (Hockey Hall of Fame/Library and Archives Canada/PA-050689). Credit: Hockey Hall of Fame.

It was only after almost a year of contentious negotiations—at one point, the MAAA threatened to send the Cup back to the trustees!—that, in March 1894, the Montreal HC finally agreed to take possession of the Stanley Cup. A few weeks later, the club won the AHAC championship yet again, making them the first winners (as opposed to simply the holders) of the Cup. This time, the team took responsibility for the engraving, and pointedly used “Montreal 1894.” With no reference being made to the MAAA, honour was seemingly served.

The next season, the Montreal HC became the first team to successfully defend the trophy in the first Stanley Cup series. Its insistence on getting its own name on the Cup may have been worth the effort, even if its prolonged refusal to accept the trophy risked making the Cup irrelevant. But the Stanley Cup was finally awarded, and the rest is history.


Andrew Ross is an archivist in the Government Archives Division, and the author of Joining the Clubs: The Business of the National Hockey League to 1945.

Reading hockey at the Canadian Museum of History

By Jennifer Anderson

Library and Archives Canada (LAC) is about more than just “stuff”; it is also the home of leading experts in Canadian history and culture. While LAC archivist Jennifer Anderson was at the Canadian Museum of History (CMH) on an Interchange Canada agreement, she co-curated the popular exhibition, “Hockey.” During the exhibition research, she consulted LAC staff and experts across the country. LAC also loaned 30 artifacts to the museum for this exhibition, and offered digital copies of hockey images from its vaults.

You can see the results that teamwork brings! Having run from March 10 until October 9, 2017 in Gatineau, the exhibition will start up again on November 25, 2017 (the 100th anniversary of the NHL) in Montréal at Pointe-à-Callière, before continuing its cross-country tour.

“Hockey”: the exhibition that started with a book…

…or two…or a few hundred. Biographies, autobiographies, histories—comic books, and novels for young people; we read those, too! And as many newspaper and magazine articles as we could find.

The exhibition team swapped books like fans trade hockey cards!

Books moved us, pushed us, challenged us and at times even frightened us. I cried and laughed over them, took notes and then forgot to because I was too engrossed in the reading. We read about big personalities like Maurice Richard and Pat Burns, about game changers like Sheldon Kennedy and Jordin Tootoo, and about Ken Dryden’s observations of young people and families in the game. We were deeply inspired by Jacques Demers’ work to advance youth literacy initiatives. Borrowing literacy teachers’ best practices, we chose to use fonts of different sizes and based the look of our exhibit on the style of a hockey card. The goal: make reading fun and accessible.

One of the first books I read was Paul Kitchen’s fascinating tale of the early history of the Ottawa Senators, Win, Tie or Wrangle (2008). Kitchen did much of his research from a desk at LAC, and he spun some of his discoveries into an online exhibition, Backcheck. From his book, we were able to identify a little-known shinty medallion depicting a stick-and-ball game, which took place on the grounds of Rideau Hall in 1852. Drawing on Kitchen’s footnotes, I reached out to the Bytown Museum, and was thrilled to learn they would be happy to lend the artifact for the exhibit. The conservators at the CMH buffed it up a bit, and images of this early piece of hockey history were included in the exhibition souvenir catalogue.

A colour photograph showing two sides of a silver medallion. The one side shows a game of shinty taking place outdoors and the second side reads “Bytown and New Edinburgh Shintie Club, Dec. 25th 1852.”

Front and back views of the silver New Edinburgh Shintie Club medallion, 1852, Bytown Museum, A203. Canadian Museum of History photos, IMG2016-0253-0001-Dm, IMG2016-0253-0001-Dm.

Paul Kitchen would probably be the first to acknowledge that any research project is a team sport, and our exhibition team reached out to many experts who had earlier worked with Kitchen, or had been inspired by him. Within LAC, Normand Laplante, Andrew Ross, and Dalton Campbell have continued the tradition of sports history, and their archival work led us to explore LAC’s collections for material to place in the exhibit. At the CMH, there are hockey experts galore, but Jenny Ellison is the “captain.” The team brought on Joe Pelletier as a research assistant to scout out images and hidden bits of information, based on the work he had already provided voluntarily. Hockey researchers and curators from across the country sent us artifacts, images and information.

Loaning originals is such an important part of the diffusion of any collection. Thirty individual items were loaned by LAC to the CMH for this exhibition. The LAC Loans and Exhibitions Officer admitted to being particularly touched by the team’s interest in The Hockey Sweater by Roch Carrier (now a popular animated film). As a child, she had received this book from one of her best friends, and only recently located this much-loved book. She has since shared it with her own children, and enjoyed telling them about her own childhood memories of this popular story about hockey.

A colour image of a book cover showing boys dressed like Maurice Richard getting ready for a hockey game

The Hockey Sweater by Roch Carrier and illustrated by Sheldon Cohen. Used by permission of Tundra Books, a division of Penguin Random House Canada Limited (AMICUS 4685355)

Carolyn Cook, LAC curator, was pleased to see Bryan Adams’ portrait of Cassie Campbell in the exhibition. This portrait was one of several taken by Adams for Made in Canada, a book of photographs of famous Canadian women sold as a fundraiser for breast cancer research. “Cassie Campbell is an iconic figure in the world of women’s hockey,” said Cook. “Her on-ice accomplishments opened the door to the next generation of girls coming up in the game and, as the first woman to do colour commentary on ‘Hockey Night in Canada,’ she has broken through the glass ceiling. This close-up portrait of her exudes strength, control and determination—qualities that have contributed to Campbell’s success.”

In the early research period, Richard Wagamese’s book, Indian Horse, hit a chord and resonated with the team. Michael Robidoux’s book on Indigenous hockey, Stickhandling Through the Margins, motivated us to ensure that space be put aside for the full integration of Indigenous voices in the game, whether from the early leadership of Thomas Green, or through the artwork of Jim Logan to spark discussion of hockey in society.

Drawing on Carly Adams’ book, Queens of the Ice, the museum acquired and exhibited a rare Hilda Ranscombe jersey. We also read the footnotes in Lynda Baril’s Nos Glorieuses closely, and as a result were able to secure a number of important artifacts that were still in private collections, including a trophy awarded to Berthe Lapierre of the Montréal Canadiennes in the 1930s. And when we read about Hayley Wickenheiser skating to school in the drainage ditches along the roadside, building up the muscles that made her a leader in the sport, on and off the ice, we put her story near the centre of the exhibition.

A few of our favourite books found their way directly into the museum cases, to tell their own stories.

For instance, where we highlighted the role of the team-behind-the-team, we gave Lloyd Percival’s book The Hockey Handbook a central spot in the case. Gary Mossman’s recent biography of Percival was a big influence here, and in particular, I was fascinated by the powerful impact Percival’s book had on how hockey players and coaches approached the game. Imagine a time when players ate more red meat and drank beer the night before a game, rather than following Percival’s advice to eat yogurt and fresh fruit! And yet it was not that long ago! Apparently the book was taken up by Soviet hockey coach Anatoli Tarasov, and we saw its impact on the ice in 1972. Percival also had an interesting perspective on burnout, or “staleness” as he called it—a theory that has application for both on- and off-ice players.

Stephen Smith, author of Puckstruck, lent the museum collectible and fun cookbooks that teams published—this spoke to the overlap between popular fan culture and the down-to-earth and very practical realities of nutrition in high-performance sport.

The Museum of Manitoba loaned bookmarks that had been distributed to school kids by the Winnipeg Jets, each with a hockey player’s personal message about the importance of literacy in everyday life. These were displayed next to the hockey novels and comic books from LAC.

The exhibition team wondered about how to tackle prickly issues like penalties, violence and controversy. Then we hit on the most natural of all approaches—let the books and newspaper articles tell the stories! So next to an official’s jersey, you will find our suggested reading on the ups and downs of life as a referee, Kerry Fraser’s The Final Call: Hockey Stories from a Legend in Stripes. In the press gallery section, the visitor gets a taste for the ways that sports journalists have made their mark on the game. Next to a typewriter, an early laptop and Frank Lennon’s camera, we placed Russ Conway’s book Game Misconduct: Alan Eagleson and the Corruption of Hockey.

To capture the importance of youth literacy, we carefully chose books that we tested ourselves for readability.

A book cover showing a man walking in a hockey arena carrying a large red duffel bag and a hockey stick.

C’est la faute à Ovechkin by Luc Gélinas, Éditions Hurtubise inc., 2012 (AMICUS 40717662)

A book cover showing a child playing hockey wearing a yellow-and-black uniform and chasing a hockey puck.

La Fabuleuse saison d’Abby Hoffman by Alain M. Bergeron, Soulières, 2012 (AMICUS 40395119)

A book cover showing an abstract illustration that incorporates a hockey stick.

Hockeyeurs cybernétiques by Denis Côté, Éditions Paulines, 1983 (AMICUS 3970428)

Literacy became a thread running through the exhibition, in ways big and small. Thanks to all the librarians who helped us get our hands on these books! It may be too ambitious, but I continue to cherish the hope that the exhibition and this blog will inspire you to pick up a book, visit a library, and enjoy the game as much as we did.

Wishing to bring a fresh read to the sport, Jenny Ellison and I are editing a group of new essays on the sport, to be published in 2018 (Hockey: Challenging Canada’s Game — Au-delà du sport national) Check it out!

Do you have a favourite book about hockey?  Let us know in the comments.


Jennifer Anderson was co-curator of the exhibition “Hockey” at the Canadian Museum of History. Currently, she is an archivist in the Archives Branch at Library and Archives Canada.

Hockey Marching as to War – the 228th Battalion

Library and Archives Canada (LAC) currently has an exhibition at 395 Wellington Street in Ottawa, which runs until January 22, 2016. Hockey Marching as to War engages viewers in the many stories of hockey players’ involvement in Canada’s First World War effort—from the men who enlisted and served overseas to the women who took up sticks at home.

A particularly fascinating story is the emergence of highly successful military hockey teams. In 1916, Winnipeg’s 61st Battalion won the prestigious Allan Cup—the senior amateur hockey championship—and Montreal’s 87th Battalion was good enough to play an exhibition game against Montreal professionals, including players from the Canadiens.

No military team was more famous than the 228th Battalion, whose history is there for all to see in LAC’s rich collection of government records. Known as the Northern Fusiliers, the 228th mustered in North Bay, Ontario, under the command of Lt.-Col. Archie Earchman, and was so successful recruiting talented hockey players that in the fall of 1916 it was invited to join the National Hockey Association (NHA), the main professional league and forerunner of the National Hockey League.

A black-and-white photograph of a man standing. He is wearing a uniform, a cap and a Sam Browne belt, and holding a baton.

Lieutenant Colonel Earchman, D.S.O., Toronto, Ontario, undated (MIKAN 3215233)

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Shaping our national winter sport: hockey innovations

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The first artificial ice arenas in Canada

In 1911, Frank and Lester Patrick, hockey players and entrepreneurs, built the first two artificial ice rinks in Canada—the Denman Arena in Vancouver, and the Victoria Arena in Victoria. The Denman Arena was the largest arena in Canada at the time with a seating capacity of 10,500. The rinks were constructed to be the main rinks for the new Pacific Coast Hockey Association games, created by the Patrick brothers to bring professional hockey to western Canada and to compete with the National Hockey Association (predecessor to the National Hockey League).

A colour reproduction showing a colourized photograph of a young man wearing a red-and-white sweater with a red “R” emblazoned in the middle of his chest.

Hockey card for Frank Patrick, circa 1910–1912. (MIKAN 2962979)

According to Library and Archives Canada’s database Canadian Patents, 1869-1919, Frank Patrick applied to the Canadian Patent Branch to patent the refrigeration system for their rinks in 1913. The patent seems to have been granted in June 1914, although the application does have “cancelled” stamped on it.

A black-and-white reproduction of a sketch showing the cooling mechanism for a hockey rink.

Ice rink patent application. (Patent number 156325)

Recognized as the leaders in the development of artificial ice hockey rinks in Canada, Frank and Lester Patrick are also credited for implementing many rules of hockey that are instrumental to how the game is played today.

The creation and evolution of the hockey net

The first hockey goals consisted of two rocks, and later posts, which were placed at each end of the rink. The goal posts were first eight feet apart, then reduced to the 6-foot width still used today.

A black-and-white photograph showing hockey players during a game on an outdoor hockey rink

Hockey match at McGill University. (MIKAN 3332330)

A typewritten page showing the rules of hockey.

Ontario Hockey Association rules as found in Hockey: Canada’s Royal Winter Game.

In the 1890s, a number of hockey leagues started to experiment with the use of fishing nets attached to the posts to avoid arguments over goals. In 1899, the newly-created Canadian Amateur Hockey League officially adopted the use of hockey nets during their games. The goal consisted of a net attached to a rope connecting the top of each goal post.

A black-and-white reproduction of a handwritten notebook titled “Intermediate Championship”

Minutes of the annual meeting of the Canadian Amateur Hockey League, December 9, 1899. (MIKAN 100095 or on the Héritage website, image 95)

In 1911, Percy LeSueur, one of the best and most innovative goaltenders at the time, submitted a patent application to improve the hockey net. According to his application, the objective of his patent claim was to “enable much greater accuracy in deciding scores to be maintained.” LeSueur’s proposed hockey net improved on the existing goal type where the supporting top bar was set back a number of inches from the goal line and allowed a shot from close range and at an upward angle to go over the bar, even if it crossed the goal line. The patent was granted to Le Sueur in 1912 and the concept behind his patent remains the foundation for the hockey goal still used today.

A black-and-white photograph with medallions portraits of 12 men centered around a white square.

Group photo of the Ottawa Hockey Club in 1914, which includes Percy LeSueur (top middle). (MIKAN 3386140)

A black-and-white reproduction of a detailed illustration of a goal net with measurements.

Le Sueur’s patent application drawing showing the improved goal net. (patent number 139387)

For more information on the Canadian Amateur Hockey League Association, please consult the Montreal Amateur Athletic Association fonds held by Library and Archives Canada.

The goalie mask

In November 1959, the all-time great goaltender, Jacques Plante, would change the hockey world by starting to wear a face mask on a regular basis. Until then, goaltenders did not use protective masks. A few notable exceptions included Elizabeth Graham who used a fencing mask in a hockey game in 1927 and National Hockey League (NHL) goaltender Clint Benedict who used a leather mask in a few games in 1929. Plante of the Montreal Canadiens had experimented since the mid-1950s with different masks in practices and exhibition games to protect himself from pucks and sticks.

A black-and-white photograph of a man leaning on the hockey boards holding a transparent mask in his hands.

Jacques Plante showing off a mask, the “Louch Shield” which he experimented with in practice before 1959. (MIKAN 4814213)

On November 1st, 1959, after suffering a broken nose and cuts to the face during an NHL game against the New York Rangers, he returned from the dressing room with a mask created by fibreglass specialist, Bill Burchmore.

In January 1960, Jacques Plante began wearing a new lighter mask, commonly known as the “pretzel mask,” built by Burchmore and consisting of 540 woven ends of fibreglass yarn.

A black-and-white photograph of a goalie with a mask defending his net. Behind him other players (without helmets) are falling on the ice, reaching for the puck.

Jacques Plante in action wearing a second type of mask on January 17, 1960. (MIKAN 4814204)

A black-and-white photograph of a man taking off a goalie mask.

Jacques Plante lifting his hockey mask. (MIKAN 3194972)

Other goaltenders would follow suit and the mask soon became a standard piece of equipment for a goaltender. Jacques Plante would continue improving goalie masks and created his own mask-making business towards the end of his hockey playing career.

For more information on Jacques Plante and his innovations, consult the Jacques and Caroline Raymonde Plante fonds held at Library and Archives Canada.