Kahentinetha Horn: Flying over the Land

On the left of the graphic, Tatânga Mânî [Chief Walking Buffalo] [George McLean] in traditional regalia on horse. In the middle, Iggi and girl engaging in a “kunik”, a traditional greeting in Inuit culture. On the right, Maxime Marion, a Métis guide stands holding a rifle. In the background, there is a map of Upper and Lower Canada, and text from the Red River Settlement collection.

This article contains historical language and content that some may consider offensive, such as language used to refer to racial, ethnic and cultural groups. Please see our historical language advisory for more information.

By Elizabeth Kawenaa Montour

Kahentinetha Horn, of the Kanien’kehá:ka (People of the Flint), will be featured in an upcoming Library and Archives Canada (LAC) Indigenous podcast, in which a selection of events from her life will be highlighted. LAC holds a diverse collection of archival materials that feature Kahentinetha (or Kahn-Tineta) Horn. These include photographs, audio-visual material, film and correspondence. The materials document her vision, her resilience and her aspirations with respect to bringing Onkweonwe (First Nations) issues to the forefront.

Her name, Kahentinetha, translates to “flying over the land.” She has definitely lived, and continues to live, by her name. I am fortunate to have known Kahentinetha when I was growing up in Kahnawake. Kahentinetha was a vibrant force. She was tall, thin and athletic in stature, and had refined Kanien’kehá:ka (Mohawk) thick straight jet-black hair. In the opinion of many—myself included—she was in a class by herself. Her speech was concise, her voice always clear, never wavering. She had an inquisitive mind and was always ready to debate and bring new light to topics and situations of the time. As part of the podcast team, I gained deeper insight into—and greater appreciation of—her incredible life.

In February 2020, Kahentinetha and her daughter Waneek visited LAC to view archival materials. These materials included correspondence written by Kahentinetha to Maryon Pearson, wife of Prime Minister Lester B. Pearson, to the Minister and the deputy ministers of Indian Affairs, and to other federal government officials of the time, as well as internal correspondence and reciprocal letters. Also, among the textual papers were Kahnawake Mohawk Band Council correspondence and documentation that included a poignant Band Council resolution against Kahentinetha, which was never carried out.

A black-and-white photograph of nine people facing the camera. A man is holding a baby in a cradleboard. Uncut brush landscape is in the background. There are no buildings on the horizon

Caughnawaga [Kahnawake] reserve near Montréal [left to right: Kahentinetha Horn (née Delisle, grandmother of Kahentinetha Horn), Joseph Assenaienton Horn, Peter Ronaiakarakete Horn (Senior) holding Peter Horn (Junior), Theresa Deer (née Horn), Lilie Meloche (née Horn), unknown, Andrew Horn, unknown], c. 1925 (e010859891)

Kahentinetha remembers her father as a definitive influence in her early life. He stressed to her the need to use the Kanien’kehá language at all times. She continues to pursue this linguistic endeavour by collaborating with Kanehsatà:ke (Kanien’kehá:ka Oka) elders. Working with them, she documents the pronunciation and spelling of complex expressions that otherwise would be lost forever.

A black-and-white photograph of a woman smiling at the camera wearing buckskin regalia, a necklace, bracelets and a headband.

Carnival Queen Kahentinetha Horn tries her hand at the controls of a Viscount aircraft. A newcomer to Trans-Canada Airlines (TCA), she was crowned Queen of the Sir George Williams College Winter Carnival in Montréal just one week after she joined TCA. Kahentinetha is wearing buckskin regalia made by her aunt Francis Dionne (nee Diabo). (e011052443)

Kahentinetha was born in Brooklyn, New York, like many Kahnewakeronon, as her father needed to be close to where the iron work was. The family later returned to Kahnawake. Her father died tragically on the job, just a half hour from Kahnawake, at the Rouses Point Bridge, which links New York State and Vermont across Lake Champlain. She lived through the construction of the St. Lawrence Seaway in the 1950s. This canal permanently separated the community from its natural shoreline.

Kahentinetha studied economics at Sir George Williams University in Tio’tia:ke (Montreal). This afforded her the opportunity to work abroad, in Paris. She also studied economics at McGill University. This presented an opportunity to travel with two other students to Havana in December 1959, to observe the people of that country celebrating the first anniversary of the Cuban Revolution.

A black-and-white photograph of two women and a man in business attire.

Officer Harold Walker introduces Kahentinetha Horn to receptionist Pierrette Desjardins as Kahentinetha starts her first day of employment at Trans-Canada Airlines. (e011311516)

Kahentinetha’s resume includes employment as a secretary with Trans-Canada Airlines (name changed to Air Canada in 1965) and at the Power Corporation. Her career in fashion involved daily modeling at the Canada Pavilion during the Expo 67 World’s Fair in Montréal, Quebec, and being photographed for fashion advertisements in magazines. She also acted in film and television commercials. In 1973, she was employed as a public servant at the Department of Indian Affairs, in the National Capital Region. In the summer of 1990, while she was in the midst of doing scholarly research on Kahnawake, Kanehsatà:ke and Akwesasne, the Kanehsatà:ke Resistance (Oka Crisis) had reached a critical point. She knew her mission was to support and defend the Kanehsatà:ke land. She went to Kanehsatà:ke in July 1990 with all four of her daughters and remained there until September 26. On that date, the Canadian army entered the area, dismantled the barricades, and arrested the remaining supporters, including Kahentinetha and her two youngest daughters, Waneek and Kaniehtiio.

A black-and-white photograph of a crowd of people walking around large pavilions near the waterfront. There is a train with white cars in the foreground.

Crowd in front of Canada Pavilion at Expo 67. Date: 1967. (e001096693)

Beginning on February 21, 1991, Kahentinetha participated as an individual witness in the public hearing for the House of Commons that resulted in the publication of the Fifth Report of the Standing Committee on Aboriginal Affairs (May 1991). She followed this with a presentation to the Commissioners at the Royal Commission on Aboriginal Peoples (RCAP), in Kahnawake, in May 1993. The RCAP hearings were held across Canada to collect information, evidence and counsel, as well as to uncover issues on which action was required. Most recently, she was involved and took part in welcoming the Wet’suwet’en hereditary leaders on their arrival in Tyendinaga on February 20, 2020.

A colour photograph of a woman with a white sweater standing and talking to three women, who are seated on the other side of a long table.

Royal Commission on Aboriginal Peoples (RCAP), Kahnawake hearings. Seated are Kahente Horn-Miller (daughter), Kahentinetha Horn and Dale Dionne. Standing is Mary Sillett (Inuit, Nunatsiavut – Labrador), RCAP Commissioner. Kahnawake site, May 1993. (e011301811)

Of the many Kanien’kehá:ka elders Kahentinetha has known, the late Louis Karonhiaktajeh (Edge of the Sky) Hall gave her special insight and inspiration. Hall was a traditionalist, activist, writer and painter born in Kahnawake in 1918, who died in 1993 at age 76. Hall used his natural artistic abilities to paint vivid and powerful scenes of Kanien’kehá subjects. He painted the iconic red warrior flag with the profile of a Haudenosaunee warrior in the centre. When he was elderly, she brought him into her home and cared for him. He gifted her a portrait he had painted of her. This may be the only painting that left his private collection.

Kahentinetha would regularly visit at my home, usually with several other relatives and friends, sometimes from other places. My mother, Josephine Kaientatie (Things all over), always had a meal ready, and no one ever left hungry. One of my vivid memories of Kahentinetha was her arriving in a white leather fringed jacket, matching mini-skirt and white boots. It was the sixties, and she was able to carry off this look because she had confidence. Stories told in these visits were usually a combination of political and social issues. When the topics were mixed with Kanienkeha:ka humour, an abundance of laughter would fill our home.

There are other, less serious, memories, such as those from the summer of 1971. Kahentinetha had just purchased her first car, a new-edition Ford Pinto. Kahentinetha took my mother, her baby daughter, Ojistoh, and me on a road trip to visit our cousins. Heading west to two Kanien’kehá:ka communities, Tyendinaga and Ohsweken, of the Six Nations in Ontario, we sped down Highway 401 in our shiny red faux Cadillac.

Of great pride to Kahentinetha are her daughters, all of whom have pursued their own ambitions with great success. Her eldest, Ojistoh, is a medical doctor; Kahente holds a PhD and is a professor at Carleton University; Waneek an Olympic athlete and a Pan American Games gold medalist; and the youngest, Kaniehtiio, works in many facets of the media including roles in film and television.

A colour photo of three women smiling at the camera, sitting around a wood boardroom table.

Kahentinetha Horn, Hilda Kaheratahawi Nicolas and Nancy Kanahstatsi Beauvais at the Kanesatake Language and Cultural Centre, March 6, 2020. Photo by Elizabeth Kawenaa Montour.

Kahentinetha now spends her time at her home on the east side of Kahnawake, not far from where the Lachine Rapids flow. She enjoys tending her vegetable garden, with the help of her many grandchildren. A stream of water flows by the edge of her land. Through her life, she has influenced, and connected with people of many cultures from around the world. She continues her contributions by providing guidance and sharing knowledge of Haudenosaunee culture, language and history with those who seek it. I am thankful for this assignment, which enabled me to reconnect with her. She was and did so much more than I remembered or knew.

This blog is part of a series related to the Indigenous Documentary Heritage Initiatives. Learn how Library and Archives Canada (LAC) increases access to First Nations, Inuit and Métis Nation collections and supports communities in the preservation of Indigenous language recordings.


Elizabeth Kawenaa Montour is a project archivist in the Exhibitions and Online Content Division of the Public Services Branch at Library and Archives Canada.

“It made you intensely proud to see it standing there”: How the Vimy Memorial survived the Second World War

By Andrew Horrall

Canadian Army Newsreel No. 42 must have been very exciting to watch in September 1944. In an era before television, cinema audiences followed the events of the Second World War through these short films.

Scenes of liberated cities in this newsreel indicated that the war in Europe had entered its final phase. A particularly poignant segment showed Lieutenant-General Harry Crerar, commander of the Canadian Army, visiting the Canadian National Vimy Memorial, which commemorates the Battle of Vimy Ridge in the First World War.

: A black-and-white photograph of a small airplane in the sky near a stone war memorial featuring two tall vertical columns.

Lieutenant-General Harry Crerar’s plane approaching the Vimy Memorial, September 11, 1944 (e011166203)

The Vimy Memorial, which was unveiled in 1936 before thousands of Canadian veterans and their families, dominates the battlefield and is the most moving shrine to Canada’s wartime sacrifices. Photographs of Adolf Hitler visiting the memorial soon after it was captured by the Germans in 1940 were the last images that Canadians had seen of it, and many believed it had been destroyed. When Canadian war correspondent Ross Munro visited the newly liberated memorial on September 1, 1944, he marveled that it “seemed almost as if it had been swept and polished for this visit, but it had been like this through four years of war. It made you intensely proud to see it standing there, a symbol of the gallantry and sacrifice of the last war and which might well become the same for this war.”

A colour photograph of a man in a military uniform standing in front of a stone war memorial. A man in a tweed coat and beret is partially visible nearby.

Lieutenant-General Harry Crerar and Paul Piroson (left) at Vimy Ridge, September 11, 1944 (e011166202)

Newsreel images of General Crerar’s entourage walking across well-tended grounds to the memorial, which gleamed in the late-summer sun, confirmed Munro’s description. The group was followed by a man in a tweed jacket and beret who was eventually seen speaking with Crerar as the narrator proclaimed, “Even during the occupation, the caretaker kept the Vimy Memorial grounds in order.”

The man in the newsreel was Paul Piroson. Still photographs taken during the visit also show Crerar talking to George Stubbs, who seems too old for his private’s uniform. The two men told Crerar about how they and their wives had safeguarded the memorial during the German occupation.

A group of men in military uniforms talking, watched from a distance by a man in civilian clothes. A stone war memorial featuring two tall vertical columns can be seen in the background.

Lieutenant-General Harry Crerar talks to George Stubbs, with Paul Piroson in the distance, Vimy Ridge, September 11, 1944 (e011166202)

George Stubbs was an English-born butcher who joined the Canadian Expeditionary Force in Winnipeg in 1914. He fought at Vimy Ridge, married a woman named Blanche in 1919 and settled in England.

Like many veterans, Stubbs had been deeply moved by the war. He returned to Vimy in the early 1920s, paying tribute to those with whom he had served by helping the Canadian government to preserve the battlefield. Piroson, who had grown up nearby, was hired at about the same time.

Stubbs became a familiar figure at Vimy, helping to build the memorial and explaining the valour and sacrifice of Canadians to thousands of visitors each year. When the memorial was unveiled, he became its official caretaker.

George and Blanche Stubbs decided to remain at Vimy with their four children when the Second World War started in 1939. The Allies still controlled France the following spring, when George sent $25 to the Canadian Legion, expressing a desire to help “those of my comrades who are not so fortunately placed as myself.” The words seem ironic today, because the Germans overran France within weeks, sending the Stubbs family racing to the port of Bordeaux in hopes of escape. They were too late and went into hiding, but were arrested in October 1940.

George Stubbs spent the rest of the occupation in an internment camp near Paris, while Blanche and the children returned to the family cottage at Vimy, where they reunited with Paul Piroson and his wife Alice.

The trio of adults ensured that the memorial was treated respectfully while in enemy hands, by explaining to German soldiers about its significance and also preventing damage from vandals. While they were outwardly courteous and deferential, Paul hid weapons for the Resistance in the tunnels under the battlefield.

When George Stubbs was liberated in August 1944, the Canadian Army provided him with the uniform he wore to meet Crerar. Though Stubbs was a civilian, these were likely his first new clothes in years. George then joined Blanche and the Pirosons at Vimy, where they greeted Allied soldiers, told their stories to reporters, and hired local workers to clean and repair the site.

A colour photograph of a young woman in a white blouse and dark skirt, sitting in front of a large stone statue of a mourning woman.

Simone Stubbs, daughter of George and Blanche Stubbs, on the Vimy Memorial, ca. 1944–1948 (e010786286-v8)

George and Blanche Stubbs stayed at Vimy until 1948, when they returned to Canada. After experiencing two world wars, it is not surprising that George proclaimed he would never go back to Europe.

Paul Piroson succeeded George Stubbs as the Vimy Memorial’s caretaker, protector and guide. The Pirosons were devoted to Canada, a country they had never visited at the time. The couple named their cottage “The Maple Leaf” and always wore the symbol on their jackets. Though only Paul was paid, the pair both led tours and enforced a strict, old-fashioned reverence for the site—women were not permitted to wear shorts, children had to be well behaved, and food was forbidden. Each year on Remembrance Day, Paul laid a wreath for the Canadian government.

When Paul retired in 1965, veterans convinced Prime Minister Lester B. Pearson to invite the Pirosons to Canada as official guests for the 50th anniversary of the Battle of Vimy Ridge. Though Pearson’s invitation dates from a time when women’s work was regularly overlooked, he thanked the pair equally for their “close personal association with so many Canadian service personnel during both world wars, your great kindness to so many of them and your hospitality and help to Canadians who have returned to Vimy Ridge.”

The Pirosons took part in Vimy commemorations across Canada in 1967. When a reporter asked about their impressions of the country they had represented for so long, Alice replied, “We both think a lot of Canadians.” Her simple words expressed the deep gratitude for Canadian wartime sacrifices that had inspired the devotion of the Stubbs and Piroson families to the Vimy Memorial.

Visit the Flickr album for images of Canadian National Vimy Memorial.


Andrew Horrall is an archivist at Library and Archives Canada.