Hudson’s Bay Company: 350 years of archives

By Anik Laflèche

The year 2020 marked the 350th anniversary of the Hudson’s Bay Company (HBC). Founded on May 2, 1670, HBC is one of the oldest still-operating companies in the world.

While HBC’s longevity is a feat on its own, this company stands out for another reason: a very large portion of its historical records has survived, kept, for most of its history, in London, England. Considering that the documents survived centuries of existence, life in the Canadian wilderness, trips across the Atlantic, poor conservation conditions, fires and floods, and two world wars, it is amazing that so many records can still be consulted today.

A black-and-white photograph of a building seen through a gate that reads “Hudson’s Bay Company, incorporated 1670” and a second building seen beyond a fence to the right.

A photograph of HBC Post [Fort] Chipewyan, Alberta, 1900. (a019629)

The HBC records have their own fascinating story, separate from the company’s history. The records were originally kept for legal and business reasons, not historical purposes.

While the records were arranged alphabetically in 1796, the first true efforts to describe and organize the collection date to 1931, when HBC hired its first archivist, Richard Leveson Gower. This was the result of mounting pressure from researchers and historians to access the collection.

In the 1960s, with the 100th anniversary of Canada’s confederation (1967) and the approaching centennial of the creation of the province of Manitoba (1970), serious thought was given to transferring the HBC archives to Canada. This idea became a reality in 1974, when all of HBC’s corporate archives were donated to the Archives of Manitoba. The HBC’s museum collection, on the other hand, is showcased in the Manitoba Museum.

While LAC is not the institution mandated to conserve the Hudson’s Bay Company archives, we do hold microfilmed copies of many—although not all—documents in MG20. Glimpses into the role that HBC played in the development of the North-West and land grants after the transfer of Rupert’s Land and the North-Western Territory can be had in some of LAC’s other fonds, such as RG15, the fonds for the Department of the Interior.

Records from the Hudson’s Bay Company are classified in LAC’s collection as MG20. The fonds holds a large variety of documents, such as board minute books, letterbooks, journals, ledgers, staff records, ships’ logs, photographs, post journals, diaries, maps, architectural drawings and photographs, dating from 1667 to 1956. The organization of the records is the same as that originally created by the company and matches that of the collection in the Archives of Manitoba.

Black-and-white image of a textual document, specifically, a minute book. The date “24th October 1671” can be seen in the top-right corner. On the left is a list of men who attended the meeting. The rest of the text comprises two paragraphs describing the discussion had during the meeting.

This document, a minute book in which the first entry was made on October 24, 1671, is the oldest surviving record in the Hudson’s Bay Company archives. The minute book includes the records written during the first 18 months of the company’s existence. King Charles II granted the HBC charter on May 2, 1670. (MG20-A1, file A.1/1, Microfilm reel HBC-1)

Although the Hudson’s Bay Company holds a controversial place in Canadian history, having been one of the main tools for the resource exploitation period of colonization, its records are a crucial source of information of the history of Canada and the First Nations, the Métis Nation, and Inuit. These documents offer insights into our colonial past, westward and northward expansion, economic and cultural development, as well as the daily life of fur traders, Indigenous peoples and frontier communities.

The HBC records offer insights into the birth and development of the Métis Nation, an independent people of First Nation and European ancestry who coalesced into a distinct nation in the northwest in the late 18th century. They would rise to resist the takeover of their homeland in the next century after the Hudson’s Bay Company transfer of Rupert’s Land to the Dominion of Canada.

These records can help Canada on its journey towards Reconciliation with First Nations, the Métis Nation, and Inuit.

For more information on the history of the Hudson’s Bay Company archives, I recommend reading Deidre Simmons’s Keepers of the Record: The History of the Hudson’s Bay Company Archives or consulting the Archives of Manitoba page “Hudson’s Bay Company Archives – About HBCA.”

If you are doing or planning to do research using the Hudson Bay Company archives records or research on a related topic, our reference specialists can assist you. Simply complete our form to contact us. We look forward to hearing from you!


Anik Laflèche is an archivist in the Reference Services Division.

Christmas in the Archives

By Jennifer Anderson

In December, many of our clients, donors and readers are preparing for Christmas. So many Christmas traditions are linked to anticipation—preparing surprises for loved ones, dreaming up projects for the New Year, offering comfort and warmth to family, friends and strangers.

Simpson’s, the Christmas Tree Store, around 1955 (e011172111)

That feeling of anticipation is not unlike what it is to work as an archivist. In some ways, it feels like Christmas all year round in the archives: opening boxes, making discoveries, and anticipating the interest that the public will find in our collections. The work of a reference archivist is like customer service: it gives us great satisfaction to be able to assist researchers. Archival work also inspires a sense of gratitude to colleagues who work together to make good things happen.

Black-and-white photograph showing children lined up to see Santa Claus, together with three adult women. Everyone is smiling, although some of the children look nervous.

“Secrets to Santa,” 1952 (e011172113)

A case in point: working with the Sears Canada fonds has been the source of much enjoyment for me, and for my colleagues. The collection includes material relating to Sears stores across the country, as well as Sears Canada’s parent companies, all of which are household names in Canada: Simpson’s, Simpsons-Sears and Sears-Roebuck. The fonds consists of textual documents, photographs, scrapbooks, audiovisuals, drawings and architectural blueprints. Included in the acquisition were 200 boxes of published catalogues, which will supplement the already substantial and frequently consulted catalogue collection in Library and Archives Canada’s holdings.

Black-and-white photograph showing shoppers, mostly women, wearing winter coats and hats, studying catalogues at a counter, as well as the store staff behind the counter. There is a sign on the wall reading “Catalogue Shopping Centre,” together with Christmas decorations.

Catalogue Shopping Centre at Christmastime, around 1955 (e011172120)

One very pleasant surprise in the fonds: thousands upon thousands of archival photographs, which are of exceptional quality and interest. Documenting the leisure pursuit of shopping, but also the practical elements of the retail economy and the working lives of store personnel, the photographs are sure to interest the public. And they are fun! These photos also include glimpses of company-sponsored social and cultural extracurricular events like curling, bowling, dance parties and concerts.

Christmas shopping, Regina, Saskatchewan, around 1950 (e011172152)

Thanks to colleagues across Library and Archives Canada, as well as outside this institution, who were involved in the acquisition, organization, description and digitization work, all geared toward making the Sears Canada fonds discoverable.

Black-and-white photograph showing a large group of men, women and children watching an electric train in a store.

Crowd watching an electric train, Regina, around 1950 (e011172147)

Over the coming years, we look forward to seeing this material being used to generate new research findings. Please reach out to us if we can assist you in getting started on your own research.

Black-and-white photograph showing a little boy talking with Santa Claus, while other children and many parents, dressed for winter, are lined up nearby. In the background are two signs that read “Trains” and “Meccano.”

Visiting Santa Claus, around 1955 (e011172112)


Jennifer Anderson was an archivist in the Public Services Branch, and she previously worked in the Science, Environment and Economy section of the Archives Branch, at Library and Archives Canada.

A look inside former Governor General Adrienne Clarkson’s archives

By Thora Gustafsson and Rebecca Sykes

The Right Honourable Adrienne Clarkson is best known as a former Governor General of Canada (1999 to 2005), but she has been in the spotlight for many more reasons throughout her life. As a refugee, a household name at the Canadian Broadcasting Corporation (CBC) and Ontario’s first Agent-General in France, she touched the lives of Canadians long before she became a resident of Rideau Hall.

Adrienne Clarkson, née Poy, was born in Hong Kong in 1939. Following the surrender of Hong Kong on Christmas Day 1941, the Poy family lived under harsh conditions with little food during the Japanese occupation. Adrienne’s father, William Poy (Ng Ying Choi), had been a message courrier in the Volunteer Militia working for the British. He used his connections to write to Canadian trade commissioners in search of an escape for his family. Eventually, William, his wife Ethel Lam (Lam May Ngo), Adrienne and her older brother Neville were placed on a list alongside Canadian citizens to be exchanged by the Red Cross. With only 10 hours’ notice and one suitcase each, the Poy family left by ship for North America. A publicity photograph in Clarkson’s fonds shows her, only a few years old, eating an ice cream cone on her first stop on Canadian soil in Montréal. In her 2009 memoir, Heart Matters, Clarkson writes that the night her family was informed that they were to be exchanged was a formative moment in her and her family’s story.

A girl reading a book while sitting on a sofa.

Adrienne Poy reading (R12308, vol. 189, file 1)

From a young age, Clarkson was a prodigious reader. In interviews, she has frequently remarked that her idea of hell is being trapped with nothing to read, and that she could read seven or more books in a week: “I read the way other people bite their nails, compulsively and voraciously” (R12308, vol. 159, file 13). At age nine, she was gifted a copy of Lucy Maud Montgomery’s Anne of Green Gables, and like for so many immigrants to Canada, the book became a favourite and a touchstone for understanding Canada and its people. Clarkson went on to earn a master’s degree in English literature from the University of Toronto and to lecture in the English department there. This led to her career in television.

Hired by CBC’s “Take 30” television series as a book reviewer in 1965, she was quickly promoted to co-host. There, she and Paul Soles discussed a broad range of topics including books, motherhood, cooking and issues of the day, such as abortion and illegal drug use. While on the show, she also discussed issues that are still very close to her heart, such as the first French-immersion schools and the experiences of immigrants in Canada.

In looking at the documents, it is clear how connected she felt to her viewers. In an article she wrote for the Winnipeg Free Press in 1966, she said she often thought of the so-called average viewer “as a third person in the conversation, someone you might meet at any party—pleasant and interested.” That sense of connection clearly went both ways, judging by her collection of letters from viewers. One viewer, who wrote on behalf of herself and her husband, compared watching “Take 30” to “having a friend come into our home.” The show also aired several episodes dealing with pregnancy and motherhood, which Clarkson co-hosted while she was an expectant mother. Many of the show’s fans were mothers themselves, and both new and experienced mothers wrote her letters with advice and book recommendations.

In 1982, Clarkson left her 17-year career in broadcasting at the CBC to become Ontario’s Agent-General in France. Clarkson is a lifelong Francophile. Photographs in her fonds show her family’s friendship with their French-Canadian neighbours and her travels through France as a young woman. Clarkson also studied the French language, achieving fluency during postgraduate work at the Sorbonne in Paris in 1962. In her position as Agent-General, Clarkson was responsible for promoting Ontario’s economic and cultural interests in France and other European countries. One of her proudest moments was when up-and-coming Uruguay-born, Toronto-based Canadian architect Carlos Ott was selected as the winner in an international design competition for the new Paris Opera in 1983. Through her work as Agent-General, Clarkson secured the budget to bring the competition judges to Toronto to counter their perception of Anglo-Saxon Canada and show them what a prosperous and diverse city it was.

Several people looking at a model of a building.

Clarkson (centre) and others beside a model of the Opéra de la Bastille in Paris (R12308, vol. 190, folder 5)

In 1999, Clarkson became Canada’s 26th Governor General since Confederation. The second woman to take up the post, and the first immigrant and person of colour to do so, she is credited with modernizing the role. She continued her efforts to connect with Canadians by travelling across the country to speak to individuals in person, which she was able to do fluently in both English and French.

Going through the Adrienne L. Clarkson fonds, from her youth through her time in broadcasting and her Agent-General days, shows how consistent Clarkson has been on issues that have interested her throughout her life. As an immigrant, broadcaster, Ontario’s Agent-General, Governor General, and co-founder of the Institute for Canadian Citizenship—her legacy project as Governor General—Clarkson has thought long and hard about being Canadian and what it means to belong here. Her early research on topics for “Take 30” was clearly informative for her later work and causes. Her lifelong love of the French language served her in her public service career and as Governor General in connecting with Canadians. Her records at Library and Archives Canada are rich sources of information that document Clarkson’s passionate and adventurous life.


Thora Gustafsson and Rebecca Sykes are archivists in the Governance, Military and Political section of the Archives Branch at Library and Archives Canada.

Catalogue shopping at Sears: Delivering the goods

By Jennifer Anderson

Have you done some online shopping recently? That remote connection you have to retail, complete with delivery to your doorstep, is so convenient. It makes it easier for everyone to gain access to high-quality goods, whether you are mobility-challenged, live far away from urban centres, or cannot visit a store for any other reason. It also saves time.

But shopping remotely was not invented yesterday.

Before the Internet, consumers could shop from a distance using catalogues that were delivered regularly to their homes. They could also pick up their orders at small catalogue stores sometimes located within other shops, like florists and gift stores.

A black-and-white photograph showing the exterior of a catalogue store, with “Simpson’s Order Office” written above the door, and advertisements in the windows.
Simpson’s catalogue order office, Sarnia, Ontario, 1952 (e011172139)

In an earlier blog article, I mentioned that Library and Archives Canada (LAC) acquired the archives of Sears Canada in 2017. There are over 40,000 photographs in this archival fonds, many of which show the day-to-day operations of Simpson’s (and later, Sears) staff working on delivering goods to customers through the company’s catalogue service. Although originally the photographs were likely for public relations, today they offer researchers a window into the everyday working lives of the department store personnel.

After Sears arrived in Canada in 1952, purchasing Simpson’s and rebranding itself as Simpsons-Sears, it was the catalogue that remained the mainstay for the company, eventually outperforming Eaton’s, Dupuis Frères, Hudson’s Bay Company and all other department stores in the mail-order retail business. In the late 1970s, the company dropped the Simpsons name, and its stores became known simply as Sears. The company launched its toll-free telephone number in 1992, and a decade later, it was the most-called phone number in Canada. Sears launched its website in 1996, receiving millions of visits each year. But throughout this period, the catalogue’s popularity continued to grow.

Early catalogue imagery was composed of hand-drawn silhouettes, rather than photographs, aimed at enticing customers to purchase attractive items and ensembles. In many cases, the artists were women, who faced barriers at commercial design firms.

A black-and-white photograph showing two smiling women standing on each side of fashion catalogues from the late 19th century and mid-20th century.
Catalogue shopping, always in style, 1953 (e011172110)

Similarly, the women who promoted fashion in catalogues and magazines had influential careers in journalism and played a role in social change. As Valerie Korinek showed in Roughing It in the Suburbs: Reading Chatelaine Magazine in the Fifties and Sixties (2000), Chatelaine was a powerful medium interacting with a community of Canadian women readers in a pre-Internet age. A photograph of Chatelaine’s fashion editor, Vivian Wilcox, suggests that she was involved in marketing the Sears catalogues.

A black-and-white photograph showing a camper trailer, and a woman unpacking a set of dishes at a table, with smaller images of details of the camper at the bottom of the advertisement.
Vivian Wilcox, fashion editor, Chatelaine, with an artist’s rendering of a silhouette, around 1955 (e011172116)

Marketing researchers and historians will have considerable scope for research projects based on the analysis of advertising in the catalogue, and the ways in which attempts to appeal to customers have changed over the years. For instance, consider this ad for a camper-trailer, from the 1950s, and the ease with which the solitary female camper appears to be preparing for a meal in the woods.

A black-and-white photograph showing a camper trailer, and a woman unpacking a set of dishes at a table, with smaller images of details of the camper at the bottom of the advertisement.
Advertisement for camper trailer, around 1950 (e011172156)

But the photographs in the Sears Canada fonds at LAC are about more than nostalgia or public relations. They reflect real change within the Canadian economy and society over time. The records speak to one company’s efforts to show resilience and adaptation as the economic environment changed. Today, the archival records related to the Sears catalogue are about more than marketing a particular product or a business; they are about how the Canadian retail sector, rooted in a transnational network, worked to remain relevant through the 20th century and into the 21st century.

For example, consider this series of photographs showing the staff of Simpson’s, then Simpsons-Sears, and finally Sears, taking catalogue orders over the telephone. Dated from 1921 to 1972, they show real changes in the communications equipment used, in the desks and the clothing, as well as in the hairstyles. We can also see the change from black-and-white photography to Kodachrome colour photographs. However, the work itself, and the all-female staff, does not appear to change during this time.

  • black-and-white photographs and two colour photographs showing women connected to telephone switchboards with headsets taking catalogue orders over the decades.
  • black-and-white photographs and two colour photographs showing women connected to telephone switchboards with headsets taking catalogue orders over the decades.
  • black-and-white photographs and two colour photographs showing women connected to telephone switchboards with headsets taking catalogue orders over the decades.
  • Four black-and-white photographs and two colour photographs showing women connected to telephone switchboards with headsets taking catalogue orders over the decades.
  • colour photographs showing women connected to telephone switchboards with headsets taking catalogue orders over the decades.
  • colour photographs showing women connected to telephone switchboards with headsets taking catalogue orders over the decades.

These behind-the-scenes photographs of customers’ orders being wrapped, sorted and labelled suggest a long-lost time, and yet they evoke actions that must be very familiar to anyone working for one of today’s major online retailers.

A black-and-white photograph showing two rows of women standing, wearing aprons and wrapping parcels at a long desk, with shelves containing parcels behind them, and a large roll of wrapping paper in the foreground.
Packing the order, around 1950 (e011213330)

  • Two black-and-white photographs, one showing a group of employees sorting parcels into bins, and the other showing women at desks checking addresses on parcels as the parcels slide down a ramp toward them.
  • Two black-and-white photographs, one showing a group of employees sorting parcels into bins, and the other showing women at desks checking addresses on parcels as the parcels slide down a ramp toward them.

Similarly, this series of photographs of delivery personnel with their trucks strikes a modern viewer as both antiquated and yet somewhat familiar. Today’s delivery staff is as likely to be female as male, and it is extremely unlikely that they would wear bow ties! However, the uniform itself as a symbol of trust and the pride taken in ensuring customer satisfaction are doubtless still parts of the service standards of any contemporary enterprise.

  • Three black-and-white photographs showing men dressed in uniforms beside Simpson’s delivery trucks, over the decades.
  • Three black-and-white photographs showing men dressed in uniforms beside Simpson’s delivery trucks, over the decades.
  • Three black-and-white photographs showing men dressed in uniforms beside Simpson’s delivery trucks, over the decades.

And certainly the economic importance of large distribution centres, both as places of employment and delivery hubs, is a familiar concept in today’s world of online shopping.

A black-and-white photograph showing two men checking paperwork in a large distribution centre, with merchandise visible on a series of rolling carts in the foreground and fluorescent lights overhead.
Kenmore distribution centre, Toronto, 1960 (e011172129)

One photograph, which may appear anachronistic today, but which was at one time central to the guarantees that large department stores offered their customers, shows the appliance repair and service department.

A black-and-white photograph showing three men repairing items in a workshop, and a fourth man moving a large appliance.
Kenmore service department, Toronto, 1960 (e011172130)
A black-and-white photograph showing two women ironing clothes and three women working at sewing machines.
Women in a sewing room, around 1955; left to right: Louise Karst, Elizabeth Moehring, Anne Dawson, Madeleine Huzina and Helen Marg (e011172115)

The pages of these catalogues continue to generate high interest among LAC’s users, whether they are interested in the history of design, advertising, marketing or pricing. We are therefore confident that the Sears Canada fonds will generate an enthusiastic response from the research community and Canadians who are interested in the fascinating history of Sears Canada or have fond memories of the department store.

If you are looking into starting research on Sears Canada or a related subject, or have already begun, our reference specialists would be pleased to assist you. Simply use our Ask Us a Question form to contact us. We look forward to hearing from you!

Other LAC resources:


Jennifer Anderson was an archivist in the Public Services Branch, and she previously worked in the Science, Environment and Economy section of the Archives Branch, at Library and Archives Canada.

 

Manitoba: Kwaata-nihtaawakihk—A Hard Birth

On the left of the graphic, Tatânga Mânî [Chief Walking Buffalo] [George McLean] in traditional regalia on horse. In the middle, Iggi and girl engaging in a “kunik”, a traditional greeting in Inuit culture. On the right, Maxime Marion, a Métis guide stands holding a rifle. In the background, there is a map of Upper and Lower Canada, and text from the Red River Settlement collection.

This article contains historical language and content that some may consider offensive, such as language used to refer to racial, ethnic and cultural groups. Please see our historical language advisory for more information.

By William Benoit

The year 2020 marks an important year in the history of Canada. One hundred and fifty years have gone by since the 1870 transfer of Rupert’s Land and the North-Western Territory to Canada. It is also the year that Manitoba entered Confederation. This was no small feat. There were discussions as to whether the Canadian government would create a province or just keep it as a vast territory.

The Métis would push Canada toward creating the new province.

Painting of a person holding a riding crop above his head, standing on a sleigh being pulled through the snow by a rearing brown horse.

Breaking a Road in Manitoba (e011072986)

Manitoba would be the first addition to the list of four original Canadian provinces: Ontario, Quebec, New Brunswick and Nova Scotia. There was no template to use. Deep, careful and altruistic thinking about the future should have been the order of the day. Instead, for the Métis, what resulted from the experience were feelings of displacement, trauma and resilience. In post-Confederation Manitoba, the position of the Métis deteriorated. New settlers from Ontario were hostile. Métis elders, over generations, described that period as a “Reign of Terror” against the Métis.

Métis Nation Elder Verna DeMontigny recently described the province-building exercise that led to Manitoba as a hard birth, or Kwaata-nihtaawakihk in the Michif language. It was certainly difficult.

The Supreme Court of Canada, in its 2013 decision in Manitoba Metis Federation Inc. v. Canada, provides a detailed narrative of the Métis people, the Red River Settlement, and the conflict that gave rise to the Manitoba Act and Manitoba’s entry into Canada:

The story begins with the Aboriginal peoples who inhabited what is now the province of Manitoba—the Cree and other less populous nations. In the late 17th century, European adventurers and explorers passed through. The lands were claimed nominally by England, which granted the Hudson’s Bay Company […] control over a vast territory called Rupert’s Land, which included modern Manitoba. Aboriginal peoples continued to occupy the territory. In addition to the original First Nations, a new Aboriginal group, the Métis, arose—people descended from early unions between European adventurers and traders, and Aboriginal women. In the early days, the descendants of English-speaking parents were referred to as half-breeds, while those with French roots were called Métis.

On November 19, 1869, the Hudson’s Bay Company surrendered Rupert’s Land and the North-Western Territory under its letters patent to the British Crown. By Order-in-Council dated June 23, 1870, the British government admitted these territories to Canada, under section 146 of the British North America Act, 1867 (now the Constitution Act, 1867), effective July 15, 1870.

It took almost eight months from the Hudson’s Bay Company surrender until the completed land transfer took full effect.

The Canadian government, led by Prime Minister John A. Macdonald, intended to absorb the territories and open them up to settlement. Before this could happen, Canada would need to deal with the Indigenous peoples who were living in these territories. Under the Royal Proclamation of 1763, Canada was duty-bound to treat with the sovereign Indigenous nations to obtain their consent to the Imperial Crown to exercise its sovereignty over them. Written more than a hundred years before, the proclamation’s purpose was to organize and manage the newly expanded British North American territories after the Seven Years’ War. Included in the proclamation were regulations to stabilize relations with Indigenous peoples through the regulation of trade, settlement and land purchases on the frontier.

A drawing of people sitting in a circle around a person standing in the middle who is speaking. There is a building with people sitting and standing on the balcony in the background.

The Manitoba Indian Treaty; a chief lecturing at length at the Stone Fort (the Métis man seated on a chair within the circle may be the translator) (e010967476)

Therefore, for the First Nations, the process would be to enter into treaties, whereby they agreed to settlement of their lands in exchange for reservations of land and other promises. The government policy with respect to the Métis was less clear.

A sepia photograph of a town with buildings on either side of a wide dirt road with wagon tracks.

Main Street, Winnipeg, looking south, 1879; the street’s width was to accommodate the space needed for Red River Carts (e011156541)

Prior to confederation with Canada, white settlers had begun pouring into the Red River, displacing the social and political control of the Métis. This led to resistance and conflict. To settle the conflict and assure annexation of the territory, the Canadian government entered into negotiations with representatives of the Métis-led provisional government. The result was the adoption in 1870 of the Manitoba Act, which made Manitoba a province of Canada.

The Manitoba Act is a constitutional document with many treaty-like characteristics. It enshrines the promises and obligations that Canada has to the Métis people. These promises represent the terms under which the Métis agreed to surrender their claims to govern themselves and their territory, and to become part of Canada. These obligations remain in force today.

The Métis Nation is an internationally recognized Indigenous people. In Canada, it is one of three Indigenous groups with constitutionally entrenched Aboriginal and treaty rights, alongside First Nations (“Indians”) and Inuit (“Eskimos”). The Métis Nation Homeland is a vast area of land in west-central North America. The Métis, as the Founders of Manitoba in 1870 and Canada’s negotiating partners in Confederation, continue to play an important role in Canada’s development.

(In Michif: Li Michif Naasyoon nishtowinikaatew oobor lii piyii pi li moond nishtowiinikasowak li moond autochtone. Daan li Canada si te payyek enn band di moond avek lii dray tretii daan li constitution, aloon bor li Promii Naasyoon pi li Ziskimoo. Li Michif Naasyoon Nataal li piyii mitoni kihchi-mishow, li taryaen daan li sawntrel west Nor America. Lii Michif, koum li fondateur di Manitoba daan li 1870 pi Canada’s naasaasyi-iwow di maashkihtonikaywin daan li Confederation, kiiyapit il li enportaan daan li Canada’s oosishchikeywiin.)


William Benoit is the Advisor for Internal Indigenous Engagement in the Office of the Deputy Librarian and Archivist of Canada at Library and Archives Canada.