Retrospective publications: better late than never

By Euphrasie Mujawamungu

Library and Archives Canada’s (LAC) mandate includes the acquisition of all documents published in Canada, regardless of format, subject or language. This mandate also covers foreign works whose authors, publishers, translators, illustrators or performers are Canadian, or whose subject matter is related to Canada. We call these publications “Canadiana.”

The collection of retrospective Canadiana covers various types of documents published between 1867 and five years before the current year:

  • documents published before the establishment of legal deposit in 1953
  • documents published after legal deposit was adopted but that were not acquired at the time of publication
  • documents not subject to legal deposit, such as works published abroad by Canadian authors or on Canadian subjects

Since LAC aims to be a source of permanent knowledge accessible to all, it must have as comprehensive a collection as possible, to accomplish this mission.

Shaped by our past

The present is shaped by the past: each period has its history … a history that is as vast as it is rich in events. Consider, for example, the first Stanley Cup, the first French-Canadian prime minister, the Klondike Gold Rush, the first female MP, the winning of the right to vote by women, the two world wars, or the bestselling novel Anne of Green Gables by Prince Edward Island author Lucy Maud Montgomery.

The daily life of yesteryear has left its imprint on many areas: art, literature, fashion, transportation, cooking and more. This is reflected in the retrospective publications in LAC’s collection, which open windows to good times and bad times; they cover topics as varied as travel, our great-great-grandmothers’ recipes, epidemics, famines, trophies won and games lost.

As guardian of the past and our recent history, LAC is a vital resource for all Canadians. It makes it easier for Canadians to search its rich collection, helps them to discover the most relevant documents and provides access to these. That is the core of its mandate.

However, gaps in the national collection must be addressed, to ensure that no aspect of our history is overlooked or undervalued. And this is not a one-day job or a one-time activity. On the contrary, constant attention and vigilance are required to identify opportunities to enrich the collection.

Colour photo of a variety of hardcover and softcover books.

Some titles acquired retrospectively by LAC in the summer of 2019. Photo credit: David Knox

The tools

From near or far, history is always interesting, making the search for publications truly exciting. As a librarian, I have several resources to identify retrospective publications to be acquired:

  • used bookseller catalogues
  • antique dealer catalogues
  • websites specialized in selling used books
  • publications given to LAC (I then look through donations to find documents missing from the collection)

The acquisition of vintage publications is subject to strict conditions: each work must be an original edition and in good condition. There is a good reason for this requirement, since contaminated or mouldy publications will not only deteriorate, but they will also damage other publications.

In addition, for a work to retain its full value, it is important to preserve all of its original components, such as the cover, illustrations and edition statements.

If LAC does not acquire it, who will?

LAC collects and preserves Canada’s documentary heritage, with the ultimate goal of meeting the needs of its users.

From vintage to contemporary publications, this heritage is a legacy for current and future generations. And there is always room for more!

LAC is a true hub of knowledge, with skilled professionals who serve the public and are dedicated to the collection. Each treasure acquired by LAC is treated with the appropriate care, and our state-of-the-art facilities guarantee preservation under optimal conditions.

In addition, LAC is at the leading edge of technology, facilitating collaboration with other organizations as well as interactions with clients.

The job of a collections librarian is dynamic and rewarding; it requires considerable dedication. In line with the services offered to the community, the work evolves as the pace of our knowledge society changes. I can say that LAC, far from being a warehouse of random items, truly enriches our collective memory. Experienced researchers, students, music lovers, or simply curious and information‑hungry citizens: everyone will find a valuable resource in LAC.

Colour photo of a variety of paperback books.

Some titles acquired retrospectively by LAC in the fall of 2019. Photo credit: David Knox


Euphrasie Mujawamungu is a Retrospective acquisitions librarian with the acquisition team in the Published Heritage Branch at Library and Archives Canada..

The prime minister as reader

By Meaghan Scanlon

Library and Archives Canada’s (LAC) Prime Ministers and the Arts: Creators, Collectors and Muses exhibition looks at Canada’s prime ministers through the lens of their relationships with the arts. One aspect of the exhibition is an exploration of the prime minister as collector and fan. Among the items featured that explore this theme are correspondence between Sir Wilfrid Laurier and painter Marc-Aurèle de Foy Suzor-Coté, a painting from William Lyon Mackenzie King’s personal collection, and a fan letter from John Diefenbaker to artist Alma Duncan.

But the exhibition mainly focuses on the prime ministers’ libraries. If you read enough prime ministerial biographies, a pattern emerges: almost every one contains references to its subject’s prodigious reading habits. A biography of Alexander Mackenzie (OCLC 20920624), for example, notes that Mackenzie “was a greedy reader, and never tired of poring over his books.” According to the authors, Mackenzie’s family would spend their winter evenings

“sitting round the wide, old-fashioned fire-place, cheerful and ruddy with the blaze of the big logs, reading and discussing literary subjects and authors, especially Shakespeare and Byron, two prime favourites of theirs. It was a very interesting group, and its intellectual life was a fitting preparation for the future statesman. All who have heard Mr. Mackenzie speak, know that he could readily quote from the poets, and from current literature, and that his addresses were invariably pitched on the high plane of presupposing intelligent hearers.”

Sir John A. Macdonald, too, was known for quoting from literature in his speeches, according to biographers. In his book about Macdonald (OCLC 2886256), Joseph Pope claimed Macdonald was an “omnivorous” reader, meaning that he would read almost anything, but his favourite genre was political memoirs. Sir Robert Borden studied classical languages. The Thomas Fisher Rare Book Library at the University of Toronto now holds a number of very old Greek and Latin books that contain Borden’s bookplate; one of these, a 1725 edition of writings by Cicero, is currently on loan to LAC for the exhibition. Mackenzie King was an avid reader who regularly commented in his diary on the books he had been reading. Many of his books are now in LAC’s collection, but a portion of his extensive library remains on view in his study at Laurier House.

Each of the prime ministers likely had favourite books and authors—Macdonald was a devotee of novelist Anthony Trollope, and King was so enamoured with poet Matthew Arnold that he began collecting books from Arnold’s own library.

A book open to the inside front cover. Attached to the left-hand page is the bookplate of Matthew Arnold. The right-hand page is blank and held down by a weight.

Bookplate of Matthew Arnold affixed to the inside front cover of The Holy Bible (Oxford: Clarendon Press, 1828), from the Collection of Books from the Library of William Lyon Mackenzie King (OCLC 1007776528) Photo credit: Library and Archives Canada

But Arthur Meighen stands out among them all for his dedication to one particular literary figure: William Shakespeare. Meighen was known to be able to quote long passages of Shakespeare from memory. In 1934, during an ocean voyage to Australia, he composed and memorized a speech on Shakespeare, which he entitled “The Greatest Englishman of History.” Meighen delivered this speech a number of times; one address, at the Canadian Club in Toronto in February 1936, was recorded. This recording was eventually released on vinyl (OCLC 981934627), giving Meighen the unusual distinction of being the first Canadian prime minister ever to release an album.

A black 12-inch vinyl record with a yellow label.

Photograph of the vinyl record The Greatest Englishman of History by Arthur Meighen (OCLC 270719760) Photo credit: Library and Archives Canada

You can hear a clip of the audio recording of Arthur Meighen delivering his speech “The Greatest Englishman of History” in the Prime Ministers and the Arts episode of the LAC podcast.

The exhibition is open at 395 Wellington Street in Ottawa until December 3, 2019.


Meaghan Scanlon is Senior Special Collections Librarian in the Published Heritage Branch at Library and Archives Canada.

It’s All in Your Perspective

By Kristen Ann Coulas

To quote Aminata Diallo from Lawrence Hill’s award-winning novel, The Book of Negroes: “When it comes to understanding others, we rarely tax our imaginations.” I’m sure most of us would agree this is a fair point. Even when we try to imagine the perspectives of others, it can be difficult to wrap our heads around concepts we haven’t experienced or don’t understand. That is why it’s so valuable to have literature from a rich and diverse variety of people.

Through the magic of immersing ourselves in the worlds created by authors, we gain the ability to see our own world through different lenses. Suddenly, our views gain new depth and nuances. By expanding our views of the world, we enrich ourselves and become better friends and neighbours.

Here are a few recent works from authors who have added their perspectives to Canada’s National Collection.

Non-Fiction

I’ve Been Meaning to Tell You: A Letter to My Daughter by David John Chariandy

ISBN: 978-0-771018-07-7

The son of black and South Asian migrants from Trinidad, David Chariandy takes a break from his award-winning fiction to draw upon his personal and ancestral past. In this touching non-fiction work dedicated to his daughter, Chariandy talks about navigating and cultivating a sense of identity in Canada.

A Mind Spread Out on the Ground by Alicia Elliott

ISBN: 978-0-385692-38-0

Tuscarora writer Alicia Elliott is a bold and visceral author. Drawing on intimate details from her own life and her experience with intergenerational trauma, Elliot’s A Mind Spread Out on the Ground offers unique insight. In this book, Elliot examines every aspect of life, asks tough questions and touches on topics like the ongoing legacy of colonialism.

Forgiveness by Mark Sakamoto

ISBN: 978-1-443417-97-6

Mark Sakamoto’s memoir details his journey to forgiving his mother, who suffered from alcoholism. By inviting readers into his family’s past, starting with his grandfather’s experience as a Canadian POW held by the Japanese army and his grandmother’s experience as an internee – born in Canada of Japanese ancestry – held by the Government of Canada during during the Second World War. Sakamoto discovers a common thread of forgiveness and traces how it led to his very existence. A winner of Canada Reads 2018, Forgiveness is a family’s history understood.

Étienne Boulay, le parcours d’un battant by Marc-André Chabot

ISBN: 978-2-764812-82-2

Marc-André Chabot’s recent work describes his long-time friend Étienne Boulay’s tortuous journey as he battled addiction. However, this is far from a book on addiction. It’s an honest look at how Boulay’s life shaped the man he is today and shows the importance of having a strong team around you.

Poetry

heft by Doyali Islam

ISBN: 978-0-771005-59-6

Prizewinning poet Doyali Islam’s second book, heft, is lyrical and innovative and includes works done in her original “parallel poem” style. This compilation includes works published by the Kenyon Review Online and The Fiddlehead, as well as poems that won national contests and prizes.

This Wound is a World by Billy-Ray Belcourt

ISBN: 978-1-927823-64-4

Billy-Ray Belcourt is an award-winning poet and CBC Books named him as one of six Indigenous writers to watch in 2016. In this stunning compilation, Belcourt brilliantly navigates themes of queerness, desire and survival. This Wound is a World won the 2018 Griffin Award for Excellence in Poetry as well as the 2018 Robert Kroetsch City of Edmonton Book Prize.

Fiction

Things Are Good Now by Djamila Ibrahim

ISBN: 978-1-487001-88-9

Things are Good Now is the debut collection of short stories by Djamila Ibrahim, an Ethiopian-born writer who moved to Canada in 1990. Ibrahim examines themes like remorse, race, hope, friendship, human relationships and the power of memory through the lens of the immigrant experience. Engaging and poignant, each story has an authenticity that belies its fictional status.

Saints and Misfits by S.K. Ali

ISBN: 978-1-481499-24-8

Saints and Misfits is an empowering coming-of-age story told through the lens of a teenage Muslim girl. This young adult novel tackles real and difficult issues like sexual assault and abuse of power while also exploring teenage anxiety and identity. S.K. Ali’s debut novel is full of faith and devotion and worthy of its position on the longlist for Canada Reads 2018.

Thelma, Louise et moi by Martine Delvaux

ISBN: 978-2-924666-55-5

In this striking French language portrait of feminism, Martine Delvaux examines the influence of the film Thelma and Louise. Through film anecdotes and personal reflections, Delvaux contemplates how her view of the film changes. This work reminds us of how important it can be to reclaim ourselves when facing a society ready to make us self-doubt.

Children’s Books

Takannaaluk by Herve Paniaq and illustrated by Germaine Arnaktauyok

ISBN: 978-1-772271-81-2

This gorgeous picture book tells the origin story of Takannaaluk, the mother of sea mammals and the most important being in Inuit mythology. Respected elder Herve Paniaq’s vivid storytelling comes to life through the work of acclaimed Inuit artist Germaine Arnaktauyok.

To borrow these books, visit your local library or search Library and Archives Canada’s new catalogue Aurora.


Kristen Ann Coulas is an acquisitions librarian at Library and Archives Canada

Behind the scenes at the library: a glance at cataloguing librarianship

By Arouce Wasty

October is Library Month, a time to celebrate libraries and the work that librarians, library technicians and library staff do to ensure that knowledge and information resources are available and accessible to everyone. In the spirit of this month, let us look at a side of the library not normally visible to library-goers and library staff. We’ll take a behind-the-scenes look at the work of the cataloguing librarian.

A black-and-white photograph of two women in a library. One is looking through a card catalogue and the other is holding a book and looking at the work of the other.

An archival image of librarians processing books. Photograph taken March 1941 (MIKAN 3571070)

You’ll rarely, if ever, see a cataloguing librarian behind the reference desk at your local library. Often, cataloguing librarians work in a different building—though one just as packed with books as the library itself, if not more so! The cataloguing librarian, along with cataloguing technicians, prepares the various resources, such as books, CDs, DVDs, video games, etc., to be placed within the main library. Furthermore, they enter the bibliographic information from these library items into the library’s computer system. The main goal of cataloguing is to enter accurate bibliographic information for an item, making that item easy to find through the library catalogue.

Seems fairly simple, right? Actually, cataloguing can be quite complex. Essentially, there are two major steps in cataloguing: descriptive cataloguing and subject analysis.

Descriptive cataloguing involves finding and entering information describing the library item according to cataloguing standards. Descriptive information includes pieces of information such as the name of the author, the title, the name of the publisher, the number of pages, the file type, and so on. These pieces of information are entered into the bibliographic record for that item.

Next is the subject analysis of the item. Here, the cataloguing librarian determines the main topic presented by the item. This is where things can get quite tricky. Even if the librarian figures out the subject of the item, s/he has to use tools such as Library of Congress Subject Headings (LCSH), or Canadian Subject Headings (CSH), to find the appropriate term(s) or heading(s) associated with the subject. For example, for a book about cars, the appropriate subject heading, according to LCSH, would be “Automobiles”, and not “Cars”. Sometimes multiple terms are put together to create a subject heading. For example, a book about the social conditions of African countries in the 1990s would likely have the subject heading “Africa—Social conditions—20th century”. Some items may have multiple subject headings to cover either the range of major topics they touch on or all the aspects of a topic they discuss.

Another aspect of subject analysis is assigning a call number to the item. A call number groups the item with others on the same subject. You may be familiar with the Dewey Decimal System used in public libraries; academic libraries use the Library of Congress Classification system. A cataloguing librarian assigns either one or both of these types of call numbers to an item. Call numbers and subject headings are also entered into the bibliographic record.

A colour screen capture of a cataloguing entry showing the division of descriptive and subject information.

Figure 1: Example of a bibliographic record

Remember, cataloguing is not just about describing or determining the subject of an item. The main aim of cataloguing is to allow library users to find and access library items. Descriptive cataloguing allows users to find items via the library catalogue by using keyword searches as well as advanced search options, such as title or author searches. Subject analysis allows library users to find items on a particular subject by using the “subject search” option in their local library catalogue. And, of course, call numbers allow users to find the item on the library shelves.

This is just a glimpse of the work of cataloguing librarians and technicians. Although you may never see or meet with them, the work they do has a great impact on the workings of a library and the experience of the library user.


Arouce Wasty is a cataloguing librarian in the Descriptive Division of Published Heritage.

The Rare Book Collection: recent additions

A collection of 500 pre-1800 books were recently relocated to a permanent location in Library and Archives Canada’s rare books vault. The vault is equipped with optimal environmental conditions to ensure this special collection is properly preserved for generations to come. Prior to being transferred to Library and Archives Canada, the books were owned by the Library of Parliament. Most of this collection consists of books published in England or France, and many are multi-volume sets. The subject matter ranges from geography and history to theatre and essays.

 

Colour photograph showing rows of books on a shelf. All the books are flagged with a slip of paper with a call number on it.

The permanent location in the rare books vault.

About the Collection

The majority of the books are 18th-century hand bindings bound in full or partial leather. The collection also comprises some books made of paper, cloth or parchment. The books are decorated with intricate gold titling and tooling and are often accented with unique and stunning marbled papers, commonly used as the endpapers.

Colour photograph of an open book showing a sumptuous marble paper used for the end paper.

Marble paper detail.

Colour photograph collage of four beaver-stamp images showing the different stamp styles on the books.

The Library of Parliament “beaver” stamp on the spine of many of the books. The style and intricate details of the beaver changes over the years, but the familiar trademark remains easily identifiable.

The condition of the books

Before being added to the Rare Book Collection, factors such as moisture, temperature, light and dust contributed to the deterioration of many of the books. Although some books are in excellent condition, with the binding structures and text blocks intact, many are damaged and show signs of damage. Some items have suffered from water and fire damage, or contain traces of a pest infestation, while others are weakened and damaged due to centuries of physical use.

Red rot and leather deterioration

A large percentage of the collection (approximately 90%) suffers from various levels of leather deterioration. In some extreme cases, the type of damage is referred to by conservators as red rot. The deterioration of leather is a common issue in leather from this period as the tannins used in the manufacturing process contain chemicals that, over time, and in the presence of oxygen, undergo a chemical change that breaks down the leather molecules. This causes the leather to weaken, flake and powder.

Colour photograph of a gloved hand holding a book with the telltale signs of red rot. The glove and sleeve are covered in a fine reddish-brown coloured dust.

An example of red rot—the term describes the red-coloured powder that appears on the surface of badly deteriorated leather.

Next steps for this collection

So much can be learned from this collection of historical and beautiful books. Check back with us for the next blog posts on the physical inventory of this collection , which includes a detailed inventory of the state of the collection, the levels of conservation treatment required, the material composition of the books, type of decorations, etc. Also have a look at the following post, detailing what steps will be taken to preserve this fine collection.

The TD Summer Reading Club is back!

Banner for the TD Summer Reading Club

The TD Summer Reading Club 2014 was officially launched on June 3rd in Ottawa, Ontario, with the participation of the project partners: TD Bank Group, Toronto Public Library and Library and Archives Canada. The purpose of this program is to encourage children to read using fun and accessible activities that build their confidence and fire their enthusiasm for reading — all summer long.

Image of a stack of booksChildren and parents can take inspiration from the theme, Eureka!, to invent, build and reimagine the world while reading captivating books at their local library. Across the country, over 2000 public libraries are participating in the Club, and over 600,000 children register enthusiastically for the program every summer.

The TD Summer Reading Club provides free program materials, including a magazine for children aged 6 to 12; a young children’s booklet for preschool-aged children; and a notebook, a poster and awesome stickers that children can collect over the summer. Of course, the Club also provides lots of suggestions for reading!

A picture of a mouse building a robotRegistering for the Club is free. Simply inquire at your local library to find out whether it offers the program. The Club’s website also offers a range of online games and activities.

This year, the TD Summer Reading Club will focus on sharing and creativity. It will be a great opportunity for the young participants to use all their ingenuity and take on the challenge with their family and friends!

The 40th Anniversary of ISSN Canada

2014 marks the 40th anniversary of ISSN Canada, the Canadian national centre for ISSN, (International Standard Serial Numbers). ISSN Canada, a unit within the Bibliographic Description section at Library and Archives Canada (LAC), has been assigning ISSNs and registering Canadian serial publications since January 1974.

What is an ISSN?

An ISSN, is a standardized international code that identifies a serial publication, including electronic serials, independent of its country of publication, language, alphabet, frequency, etc. Over a period of 40 years, ISSN Canada has helped Canadian publishers and libraries to quickly and efficiently identify, order, distribute and retrieve serial publications.

ISSN Canada is a member of the world-wide ISSN Network, which was established by a UNESCO treaty to which Canada is a signatory. ISSN Canada has exclusive responsibility for assigning ISSNs to serials published in Canada.

40 years of successful cooperation

As one of the first members, Canada has a long history of active participation in the ISSN community. ISSN Canada is the third most productive national centre within the ISSN Network, after France and the United States.

Forty years of successful cooperation among ISSN centres, and the sustained growth of the ISSN Network is an accomplishment worthy of pride and celebration for LAC. This significant milestone is an opportunity to highlight the longevity of the ISSN, identifier and to celebrate Canada’s participation in the ISSN Network.

ISSN Canada thanks Canadian publishers for their participation in the success of this program.

How to find photographs that are not yet available online – part two

Our previous article “How to find photographs that are not yet available online—part one” explained the best-case scenario for finding photographs that are not yet available online. But what happens when things don’t go that smoothly?

What if I find items that are close but not what I want?

If there are items in your search results that aren’t quite what you’re looking for, don’t despair. It’s quite possible that we have what you want, but that it hasn’t been described yet. The items that have already been described offer you a useful clue as to where those non-described items might be.

First, note the fonds, collection, or accession where each item is from and look at the field labelled “extent.” How many other photographs make up that collection? Perhaps there are more images relating to your topic.

Does the item have:

– an item number?
– a particular photographer?
– certain keywords?

Use variations of those keywords, item number and photographer’s name to do other online searches in Archives Search. If those don’t yield any results, try the finding aid related to each item, either online or on paper. See “How to find photographs that are not yet available online—part one” for tips on using the finding aid.

What if the finding aid is not online or the finding aid is only available in paper?

If you find a fonds, collection, or accession that seems relevant to your research but that doesn’t have an electronic finding aid, look to see if it has a paper one. If it does, you can visit us at 395 Wellington Street in Ottawa, to have a closer look at it. If there is no reference to a paper finding aid, then you have to search through the boxes from that collection. If you cannot come to Ottawa, you can contact our reference staff for guidance, or you may wish to hire a freelance researcher.

With more than 25 million images, chances are we have your “perfect shot.” You just have to find it!

Questions or comments? We would love to hear from you!